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Do People Value Recorded Music?

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References

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1997Baroque and rock: Music, mediators and musical taste122 cited
2010Measuring the value of culture: a report to the Department for Culture Media and Sport120 cited
20193. The Commodification of Music at the Dawn of the Era of “Mechanical Music”68 cited

Cited by

2020Is music streaming bad for musicians? Problems of evidence and argument135 cited
2022Sounds like meritocracy to my ears: exploring the link between inequality in popular music and personal culture35 cited
2022Put Your “Hand Emotes in the Air:” Twitch Concerts as Unsuccessful Large‐Scale Interaction Rituals33 cited

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2021

‘It’s Turned Me from a Professional to a “Bedroom DJ” Once Again’: COVID-19 and New Forms of Inequality for Young Music-Makers

31 cited

2020The cost of music26 cited

2021The emergence of promotional gatekeeping and converged local music professionals on social media17 cited

2023‘A video or a flat fee?’ on the performances of concert fees15 cited

2022Why Live Music Matters: Implications from Streaming Music Festivals in the Chinese Indie Music Scene12 cited

2023(Plat)formatted Creativity: Creating Music in the Age of Streaming12 cited

2020The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation10 cited

2020Popular Music, Technology, and the Changing Media Ecosystem10 cited

2024Make-Do-With Listening: Competence, Distinction, and Resignation on Music Streaming Platforms9 cited

2020Discovering Music at Sofar Sounds: Surprise, Attachment, and the Fan–Artist Relationship9 cited

2023Music Mentors of the Streaming Era: from Algorithms to Influential Figures8 cited

2025Self-Brand or Be Branded Out: The Convergence of Mainstream and Independent Music Talent Scouting Under Platform Capitalism7 cited

2023Phonetics as a means of nationalising art songs: a comparative music-phonetics study based on Zhao Yuanren’s New Poetry Collection5 cited