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This article intends to visualize and analyze the picto- rial program of the chapel of the Virgin of Guadalupe of the monastery of the Descalzas Reales, because it is a chapel created by a woman for women. In addi- tion, the study will focus on the importance of the pro- gram dedicated to strong women of the Old Testa- ment, as it is a rare subject in the Spanish Baroque. Consequently, the relevance of the monastery as a center of feminine power will be studied, as well as the relevance of the figures of Sr. Ana Dorotea, royal nun and promoter of this Marian chapel, since her per- sonality and education were indispensable to create this pictorial group with women as absolute protago- nists, and Sebastián Herrera Barnuevo, the hand that masterfully executed the iconography devised by the clarisa descalza.
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