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John Cage'sSilent Pieceand the Japanese gardening technique ofshakkei: Formalizing Whittington's conjecture through conceptual graphs
12 references·0 citing·27 second hop
John Cage'sSilent Pieceand the Japanese gardening technique ofshakkei: Formalizing Whittington's conjecture through conceptual graphs (2019)John Cage'sSilent Pieceand the Japanese g…Borrowing scenery and the landscape that lends—the final chapter ofYuanye (2015)Borrowing scenery and the lan…Traditional Japanese architecture: an exploration of elements and forms (2011)Traditional Japanese architec…No Such Thing as Silence: John Cage’s 4′33″ (2010)No Such Thing as Silence: Joh…Themes in the Philosophy of Music (2003)Themes in the Philosophy of M…Themes in the philosophy of music (2003)Themes in the philosophy of m…Themes in the history of Japanese garden art (2003)Themes in the history of Japa…Silencing the sounded self: John Cage and the American experimental tradition (1999)Silencing the sounded self: J…John Cage: Silence and Silencing (1997)John Cage: Silence and Silenc…John Cage's theatre pieces : notations and performances (1996)John Cage's theatre pieces : …The Music of John Cage (1993)The Music of John CageSpace and illusion in the Japanese garden (1973)Space and illusion in the Jap…The Structure of a Semantic Theory (1963)The Structure of a Semantic T…John Cage at Seventy: An Interview (1985)Protentions and Retentions of Xenakis and Cage: Nonhuman Actors, Genre and Time in Microsound (2018)John Cage and Peter Yates (2019)Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model (2021)"Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-61 (2008)CHANCE AND CERTAINTY: JOHN CAGE'S POLITICS OF NATURE (2013)Triple Entendre: Furniture Music, Muzak, Muzak-Plus (2013)A paper with an interest in rhythm (2002)Musical Witness and Holocaust Representation (2015)Connectionism and cognitive architecture: A critical analysis (1988)Constructing inferences during narrative text comprehension. (1994)The Cambridge handbook of thinking and reasoning (2005)Musical Understanding, Musical Works, and Emotional Expression: Implications for education (2005)Hearing Silence: The Perception and Introspection of Absences1 (2009)Music Education for Changing Times (2009)Visual Geometry of Classical Japanese Gardens (2018)Sensible Politics (2020)Special Places, Sacred Spaces: Two Traditional Buddhist Temples in Nihonmachi Los Angeles (2019)Identifikasi Gaya Arsitektur Jepang terhadap Kyotoku Floating Market di Kota Lembang Jawa Barat (2022)Henry Cowell and John Cage: Intersections and Influences, 1933–1941 (2006)John Cage in Separate Togetherness with Jazz (2012)The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham (2018)Mimesis stories: composing new nature music for theshakuhachi (2017)When Conversation Lapses (2020)Wireless Imaginations (2020)Seeing Dark Things (2008)Emotions Expressed and Aroused by Music (2010)
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References

  • 1963The Structure of a Semantic Theory2,229 cited
  • 1993The Music of John Cage180 cited
  • 2003Themes in the Philosophy of Music122 cited
  • 1997John Cage: Silence and Silencing82 cited
  • 2003Themes in the philosophy of music78 cited
  • 2010No Such Thing as Silence: John Cage’s 4′33″74 cited
  • 1996John Cage's theatre pieces : notations and performances54 cited
  • 2011Traditional Japanese architecture: an exploration of elements and forms46 cited
  • 1999Silencing the sounded self: John Cage and the American experimental tradition44 cited
  • 2003Themes in the history of Japanese garden art42 cited
  • 2015Borrowing scenery and the landscape that lends—the final chapter ofYuanye23 cited
  • 1973Space and illusion in the Japanese garden20 cited

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