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Rap jako rodzaj współczesnej melorecytacji
7 references·0 citing·20 second hop
Rap jako rodzaj współczesnej melorecytacji (2014)Rap jako rodzaj współczesnej melorecytacjiThe Black Muse: Polish Hip-Hop as the Voice of "New Others" in the Post-Socialist Transition (2009)The Black Muse: Polish Hip-Ho…Book of Rhymes: The Poetics of Hip Hop (2009)Book of Rhymes: The Poetics o…Performing the Word: African American Poetry as Vernacular Culture (2001)Performing the Word: African …Rap music and the poetics of identity (2000)Rap music and the poetics of …Performing Live: Aesthetic Alternatives for the Ends of Art (2000)Performing Live: Aesthetic Al…Performing Live (2000)Performing LiveThe Norton anthology of African American literature (1997)The Norton anthology of Afric…Aesthetics and the Practices of Qualitative Inquiry (2000)Can Multicultural Education Change What Counts as Cultural Capital? (2000)Ain't I A Woman? Revisiting Intersectionality (2004)‘Brains, means, lyrical ammunition’: hip-hop and socio-racial agency among African Students in Kharkiv, Ukraine (2011)Twenty Years After: Rock Music and National Rock in Hungary (2012)‘Spitting Lines – Spitting Brands’: A critical analysis of brand usage in Polish rap (2014)Three Voices: Researching how somatic education informs contemporary dance technique classes (2002)Fractured identities: injury and the balletic body (2004)‘Failing on Deaf Ears’: A Postphenomenology of Sonorous Presence (2009)Africa/America: Fragmentation and Diaspora in the Work of Langston Hughes (2002)Playing Chicken With the Train: Cowboy Troy's Hick-Hop and the Transracial Country West (2010)Poetic Language, Interdiscursivity and Intertextuality in Fifth Graders’ Poetry (2015)Toward a Phenomenological Model of the Actor's Embodied Modes of Experience (2004)Cultural sociology and new forms of distinction (2015)Character, Narrator, and Simile in the Iliad (2011)Global Ill-Literacies (2011)From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam (2016)Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Misogyny in Rap Music (2009)
this work references cited by second hop

References

  • 1997The Norton anthology of African American literature626 cited
  • 2000Rap music and the poetics of identity499 cited
  • 2009Book of Rhymes: The Poetics of Hip Hop258 cited
  • 2000Performing Live150 cited
  • 2000Performing Live: Aesthetic Alternatives for the Ends of Art138 cited
  • 2001Performing the Word: African American Poetry as Vernacular Culture41 cited
  • 2009The Black Muse: Polish Hip-Hop as the Voice of "New Others" in the Post-Socialist Transition17 cited

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