Foundations in Sound Design for Linear Media

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Cinema History and Criticism Music Technology and Sound Studies Sound Studies and Aurality

Abstract

As a growing number of filmmakers are moving away from the traditional model of orchestral underscoring in favor of a more contemporary approach to film sound, electronic dance music (EDM) is playing an increasingly important role in current soundtrack practice. With a focus on two specific examples, Tom Tykwer’s Run Lola Run (1998) and Darren Aronofsky’s Pi (1998), this essay discusses the possibilities that such a distinctive aesthetics brings to filmmaking, especially with regard to audiovisual rhythm and sonic integration.

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References

1994Audio-vision: sound on screen 1998Analysing Musical Multimedia 2006Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music 2002Intensified Continuity Visual Style in Contemporary American Film 1988Effects of Musical Soundtracks on Attitudes toward Animated Geometric Figures 1994Semantic and formal congruency in music and motion pictures: Effects on the interpretation of visual action.1998Aesthetics and Psychology of the Cinema 2015The Musicality of Narrative Film

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