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Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research
15 references·0 citing·31 second hop
Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research (2019)Visualizing and measuring gold leaf in fo…Visualizing underdrawings in medieval manuscript illuminations with macro‐X‐ray fluorescence scanning (2018)Visualizing underdrawings in …Rembrandt's An Old Man in Military Costume: Combining hyperspectral and MA-XRF imaging to understand how two paintings were painted on a single panel (2018)Rembrandt's An Old Man in Mil…Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper (2018)Integrated X-ray fluorescence…Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Recent developments in spectr…Visible and infrared imaging spectroscopy of paintings and improved reflectography (2016)Visible and infrared imaging …Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Non-Invasive and Non-Destruct…Exploring a Hidden Painting Below the Surface of René Magritte’s Le Portrait (2016)Exploring a Hidden Painting B…Rembrandt’s An Old Man in Military Costume: the underlying image re-examined (2015)Rembrandt’s An Old Man in Mil…Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Use of imaging spectroscopy, …Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum (2013)Scanning XRF investigation of…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)A mobile instrument for in si…Revealing hidden paint layers in oil paintings by means of scanning macro-XRF: a mock-up study based on Rembrandt's “An old man in military costume” (2012)Revealing hidden paint layers…Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Visualization of a Lost Paint…The Business of Art: Contracts and the Commissioning Process in Renaissance Italy (2006)The Business of Art: Contract…THE CONSERVATION AND TECHNIQUE OF THE HERLIN ALTARPIECE (1466) (1970)THE CONSERVATION AND TECHNIQU…ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects (2001)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning (2015)CRONO: a fast and reconfigurable macro X‐ray fluorescence scanner for in‐situ investigations of polychrome surfaces (2017)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)UV-Vis spectroscopy (2018)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Applications of synchrotron X-ray nano-probes in the field of cultural heritage (2018)Macroscopic X-ray Powder Diffraction Scanning, a New Method for Highly Selective Chemical Imaging of Works of Art: Instrument Optimization (2018)Pigments—Arsenic-based yellows and reds (2021)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Joint data treatment for Vis–NIR reflectance imaging spectroscopy and XRF imaging acquired in the Theban Necropolis in Egypt by data fusion and t-SNE (2018)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications (2019)Chapter 3 The History of Art Markets (2006)Religion (2014)THE LABOR MARKET IN THE ART SECTOR OF BAROQUE ROME (2014)Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Visualizing the 17th century underpainting in Portrait of an Old Man by Rembrandt van Rijn using synchrotron-based scanning macro-XRF (2012)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Automatic pigment identification from hyperspectral data (2018)Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)Near-UV to mid-IR reflectance imaging spectroscopy of paintings on the macroscale (2019)Mapping pigments and binders in 15th century Gothic works of art using a combination of visible and near infrared hyperspectral imaging (2020)Towards automatic classification of diffuse reflectance image cubes from paintings collected with hyperspectral cameras (2020)
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References

  • 2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping317 cited
  • 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
  • 2017Recent developments in spectroscopic imaging techniques for historical paintings - A review177 cited
  • 2014Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts157 cited
  • 2016Visible and infrared imaging spectroscopy of paintings and improved reflectography136 cited
  • 2016Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods86 cited
  • 2012Revealing hidden paint layers in oil paintings by means of scanning macro-XRF: a mock-up study based on Rembrandt's “An old man in military costume”61 cited
  • 2006The Business of Art: Contracts and the Commissioning Process in Renaissance Italy58 cited
  • 2013Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum57 cited
  • 2018Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper45 cited
  • 2016Exploring a Hidden Painting Below the Surface of René Magritte’s Le Portrait42 cited
  • 2015Rembrandt’s An Old Man in Military Costume: the underlying image re-examined35 cited

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2018
Visualizing underdrawings in medieval manuscript illuminations with macro‐X‐ray fluorescence scanning
26 cited
  • 1970THE CONSERVATION AND TECHNIQUE OF THE HERLIN ALTARPIECE (1466)17 cited
  • 2018Rembrandt's An Old Man in Military Costume: Combining hyperspectral and MA-XRF imaging to understand how two paintings were painted on a single panel16 cited
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