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Redefining Essence: Tuning and Temperament of Chinese Traditional Music
16 references·0 citing·29 second hop
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References

  • 1980Identity and Essence151 cited
  • 1995Suspended Music: Chime-Bells in the Culture of Bronze Age China118 cited
  • 1989The Western Impact on World Music. Change, Adaptation, and Survival73 cited
  • 1997Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 194968 cited
  • 1991Pianos and Politics in China: Middle-Class Ambitions and the Struggle over Western Music.67 cited
  • 1990Pianos and politics in China: middle-class ambitions and the struggle over western music53 cited
  • 2016Environmental Crisis, Culture Loss, and a New Musical Aesthetic: China’s “Original Ecology Folksongs” In Theory and Practice49 cited
  • 1975Prince Chu Tsai-Yu's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory46 cited
  • 1990Pianos and Politics in China: Middle-Class Ambitions and the Struggle over Western Music40 cited
  • 2003The Discovery of Musical Equal Temperament in China and Europe in the Sixteenth Century36 cited
  • 2015Non-Western national music and empire in global history: interactions, uniformities, and comparisons27 cited
  • 2016Intangible Cultural Heritage in China Today: Policy and Practice in the Early Twenty-First Century27 cited
  • 2010Isawa Shūji's “National Music”: National Sentiment and Cultural Westernisation in Meiji Japan24 cited
  • 1999

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From Revolutionary Ta?n?f to Patriotic Sur?d: Music and Nation-Building in Pre-World War II Iran
16 cited
  • 1981A Discussion on Chinese National Musical Traditions16 cited
  • 1959The Rational and Social Foundations of Music.13 cited
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