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Nuo Altar Theatre on a Liminal/Liminoid Continuum: Reflections on the Shamanic Origins of Chinese Theatre
8 references·2 citing·29 second hop
Nuo Altar Theatre on a Liminal/Liminoid Continuum: Reflections on the Shamanic Origins of Chinese Theatre (2019)Nuo Altar Theatre on a Liminal/Liminoid C…The origins of theater in ancient Greece and beyond : from ritual to drama (2007)The origins of theater in anc…Ritual Opera, Operatic Ritual. "Mu-lien Rescues His Mother" in Chinese Popular Culture (1991)Ritual Opera, Operatic Ritual…Old Sinitic *Mᵞag, Old PersianMaguš, and English “Magician” (1990)Old Sinitic *Mᵞag, Old Persia…Chinese Theater in The Days of Kublai Khan. (1981)Chinese Theater in The Days o…Les origines rituelles du théâtre chinois (1977)Les origines rituelles du thé…A history of Chinese drama (1976)A history of Chinese dramaThe Shamanistic Origins of Popular Entertainments (1974)The Shamanistic Origins of Po…A Source Book in Chinese Philosophy (1963)A Source Book in Chinese Phil…Form Follows Function in Community Rituals in North China: Temples and Temple Festivals in Jiacun Village (2021)Form Follows Function in Comm…Huan Nuoyuan: Exorcism and Transformation in Miao Ritual Drama (2019)Huan Nuoyuan: Exorcism and Tr…Shamanism: Archaic Techniques of Ecstasy (1964)The Medicine Dance of the ! Kung Bushmen (1969)The Ghost Dance: Origins of Religion. (1975)Played by Their Own Play: Fission and Fusion in British Circuses (1987)Acting Out Democracy: Political Theater in Modern China (1990)Acting: The Quintessence of Theatricality (2002)Chinese theatre and the actor in performance (1998)Minority Rules: The Miao and the Feminine in China’s Cultural Politics (2000)Shamanism: Archaic Techniques of Ecstasy (1951)The American Heritage Dictionary of the English Language (1970)The Chinese Northern frontier: reassessment of the Bronze Age burials from Baifu (1996)"O Soul, Come Back!" A Study in The Changing Conceptions of The Soul and Afterlife in Pre-Buddhist China (1987)The Scripture on the Ten Kings and the Making of Purgatory in Medieval Chinese Buddhism (1994)The Methuen Drama Handbook of Theatre History and Historiography (2019)Cultural Heritage in Transition: The Role of Baxian Folk Music in the Posthumanist Era (2025)Religion and Ritual in Ancient Egypt (2011)The Greeks and the New: Novelty in Ancient Greek Imagination and Experience (2011)Costume in the Comedies of Aristophanes (2015)A Critique of Hofstede’s Fifth National Culture Dimension (2003)Researching Corporate Social Responsibility: An Agenda for the 21st Century (2006)Virtue Ethics and Consequentialism in Early Chinese Philosophy (2007)Mid-Yüan politics (1994)The reign of Khubilai khan (1994)The Yüan government and society (1994)Ghosts Seeking Substitutes: Female Suicide and Repetition (2005)Ritual Drama and Moral Order: Interpreting the Gods' Festival Troupes of Southern Taiwan (1990)Peking Opera as "National Opera" in Taiwan: What's in a Name? (1995)Mei Lanfang and the Nationalization of Peking Opera, 1912–1930 (1999)"Eight Stage Works for 800 Million People"*: The Great Proletarian Cultural Revolution in Music--A View from Revolutionary Opera (2010)
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References

  • 1963A Source Book in Chinese Philosophy1,567 cited
  • 2007The origins of theater in ancient Greece and beyond : from ritual to drama173 cited
  • 1976A history of Chinese drama61 cited
  • 1990Old Sinitic *Mᵞag, Old PersianMaguš, and English “Magician”37 cited
  • 1974The Shamanistic Origins of Popular Entertainments25 cited
  • 1981Chinese Theater in The Days of Kublai Khan.21 cited
  • 1991Ritual Opera, Operatic Ritual. "Mu-lien Rescues His Mother" in Chinese Popular Culture16 cited
  • 1977Les origines rituelles du théâtre chinois16 cited

Cited by

  • 2021Form Follows Function in Community Rituals in North China: Temples and Temple Festivals in Jiacun Village8 cited
  • 2019Huan Nuoyuan: Exorcism and Transformation in Miao Ritual Drama6 cited

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