A Primitive Mode of Representation?

Noël Burch

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Cinema History and Criticism Visual Culture and Art Theory Ethics, Aesthetics, and Art

Abstract

Before turning to what is an essential aspect of the institutional mode of representation (IMR), the unity–ubiquity of the spectator subject, I must address the earliest period of cinema history from another direction. If it is true that after twenty or thirty years of cinema an IMR appeared, what t

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2008The battle for the blockbuster: discourses of spectacle and excess 2002Telling the Stories of Heim and Heimat, Home and Exile: Recent Palestinian Films and the Iconic Parable of the Invisible Palestine 1996Playing primitive: “In the land of the headhunters” and/or “war canoes”

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