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Les mondes du metal d’après l’Encylopedia Metallum
13 references·0 citing·45 second hop
Les mondes du metal d’après l’Encylopedia Metallum (2019)Les mondes du metal d’après l’Encylopedia…Reflections on Metal Studies 1 (2016)Reflections on Metal Studies 1Global Metal Music and Culture (2016)Global Metal Music and Culture“The Fist in the Face of God” (2014)“The Fist in the Face of God”Voice of our blood (2012)Voice of our bloodThe Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England (2012)The Construction of Heavy Met…Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 (2011)Heavy Genealogy: Mapping the …“EVERYTHING LOUDER THAN EVERYTHING ELSE” (2007)“EVERYTHING LOUDER THAN EVERY…Les Scènes métal (2006)Les Scènes métalLa production de genres : analyses depuis les périphéries du heavy metal (2006)La production de genres : ana…« Aspects du death metal ». Affect, objet et vécu social de la musique (2006)« Aspects du death metal ». A…Hard rock, heavy metal, metal (2004)Hard rock, heavy metal, metalBreakdance, red eyed penguins, Vikings, grunge and straight rock'n'roll: The construction of place in musical discourse in Rudenga, east side Oslo (1999)Breakdance, red eyed penguins…The Soviet Rock Scene (1990)The Soviet Rock SceneDistinction: A Social Critique of the Judgement of Taste. (1985)Club cultures: music, media and subcultural capital (1996)Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community (2011)Introduction (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system (2021)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Music Scenes (2004)Resistance Through Rituals (2006)Représentations et usages sociaux de la musique metal (2015)Le Hellfest, un espace de violences ritualisées (2018)Le rôle d’intermédiation des activités entrepreneuriales du middleground dans la circulation des idées créatives. Le cas du krautrock1 (2021)Spatial Econometrics: Methods and Models (1988)The consequences of modernity (1990)Modernity at Large: Cultural Dimensions of Globalization. (1998)Fracking Fortunes: Economic Well‐being and Oil and Gas Development along the Urban‐Rural Continuum (2017)How optimal distinctiveness affects new ventures' failure risk: A contingency perspective (2019)The Invention of Tradition (1986)Culture sits in places: reflections on globalism and subaltern strategies of localization (2001)– The Symbolic Construction of Community (2013)There is (almost) no alternative: the slow ‘heat death’ of music subcultures and the instrumentalization of contemporary leisure (2014)‘To Holmgard … and Beyond’: Folk metal fantasies and hegemonic white masculinities (2015)Teutonic Metal: Effects of Place- and Mythology-based Labels on Record Production (2021)The Archaeology of Knowledge. (1974)Textual poachers : television fans & participatory culture (1992)The Cultural Studies Reader (1993)Depending on music to feel better: Being conscious of responsibility when appropriating the power of music (2013)Explaining the naming of heavy metal from rock’s ‘Back Pages’: A dialogue with Deena Weinstein (2015)Putting the ‘studies’ back into metal music studies (2018)Distinction. A Social Critique of the Judgement of Taste (1985)Consumer Culture and Postmodernism (1993)The Protestant ethic and the spirit of capitalism (2002)Satanic Panic: The Creation of a Contemporary Legend (1994)Lords of Chaos: The Bloody Rise of the Satanic Metal Underground (1999)Extreme Metal: Music and Culture on the Edge (2006)‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects? (2019)Getting Medieval: Signifiers of the Middle-Ages in Black Metal Aesthetics (2019)Engaging with absence: Why is the Holocaust a ‘problem’ for metal? (2020)Heavy Metal: A Cultural Sociology. (1992)Amalgamated anecdotes: Perspectives on the history of metal music and culture studies (2014)Metal Music and Mental Health in France (2009)Le fan comme travailleur : les activités méconnues d’un coproducteur dévoué (2011)Tablatures of musical tastes in contemporary France: distinction without intolerance (2012)The value of the underground: punk, politics, and creative urbanism in Bandung, Indonesia (2020)Toward a Systematic Understanding of “Heaviness” in Metal Music Production (2022)
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References

  • 2011Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010105 cited
  • 2012The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England92 cited
  • 2016Global Metal Music and Culture73 cited
  • 2007“EVERYTHING LOUDER THAN EVERYTHING ELSE”62 cited
  • 2016Reflections on Metal Studies 150 cited
  • 2004Hard rock, heavy metal, metal47 cited
  • 2014“The Fist in the Face of God”37 cited
  • 2006Les Scènes métal26 cited
  • 2012Voice of our blood20 cited
  • 1999Breakdance, red eyed penguins, Vikings, grunge and straight rock'n'roll: The construction of place in musical discourse in Rudenga, east side Oslo19 cited
  • 1990The Soviet Rock Scene11 cited
  • 2006« Aspects du death metal ». Affect, objet et vécu social de la musique6 cited
  • 2006La production de genres : analyses depuis les périphéries du heavy metal5 cited

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