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Uncovering modern paint forgeries by radiocarbon dating
2 references·5 citing·21 second hop
Uncovering modern paint forgeries by radiocarbon dating (2019)Uncovering modern paint forgeries by radi…Discovering forgeries of modern art by the 14C Bomb Peak (2014)Discovering forgeries of mode…Van Meegeren's Faked Vermeers and De Hooghs (1953)Van Meegeren's Faked Vermeers…Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Review of recent advances on …Emerging nuclear methods for historical painting authentication: AMS-14C dating, MeV-SIMS and O-PTIR imaging, global IBA, differential-PIXE and full-field PIXE mapping (2022)Emerging nuclear methods for …Mass spectrometry in art conservation—With focus on paintings (2021)Mass spectrometry in art cons…Unexpected presence of 14C in inorganic pigment for an absolute dating of paintings (2020)Unexpected presence of 14C in…Discovering Giuseppe Capogrossi: Study of the Painting Materials in Three Works of Art Stored at Galleria Nazionale (Rome) (2020)Discovering Giuseppe Capogros…Evolution of prehistoric cave art (2001)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Multilayers quantitative X-ray fluorescence analysis applied to easel paintings (2009)Organic Mass Spectrometry in Art and Archaeology (2009)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Roman Wall Paintings: Characterisation of Plaster Coats Made of Clay Mud (2021)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)The Organic Chemistry of Museum Objects (1988)Three-dimensional micro-XRF investigations of paint layers with a tabletop setup (2004)PIXE analysis of historical paintings: Is the gain worth the risk? (2015)Programs for visualization, handling and quantification of PIXE maps at the AGLAE facility (2015)The Role of PIXE and XRF in Heritage Science: The INFN-CHNet LABEC Experience (2022)A multimodal scanner coupling XRF , UV–Vis–NIR photoluminescence and Vis–NIR–SWIR reflectance imaging spectroscopy for cultural heritage studies (2023)External Beam IBA Measurements for Cultural Heritage (2023)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Ancient administrative handwritten documents: X-ray analysis and imaging (2015)Selective Dating of Paint Components: Radiocarbon Dating of Lead White Pigment (2018)The care of paintings: FABRIC PAINT SUPPORTS (1960)Forgery and Plagiarism (2012)
this work references cited by second hop

References

  • 2014Discovering forgeries of modern art by the 14C Bomb Peak49 cited
  • 1953Van Meegeren's Faked Vermeers and De Hooghs12 cited

Cited by

  • 2022Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks31 cited
  • 2022Emerging nuclear methods for historical painting authentication: AMS-14C dating, MeV-SIMS and O-PTIR imaging, global IBA, differential-PIXE and full-field PIXE mapping27 cited
  • 2020Unexpected presence of 14C in inorganic pigment for an absolute dating of paintings19 cited
  • 2020Discovering Giuseppe Capogrossi: Study of the Painting Materials in Three Works of Art Stored at Galleria Nazionale (Rome)14 cited
  • 2021Mass spectrometry in art conservation—With focus on paintings13 cited

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