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Oil, gold, stones: cultural value in Italian cultural policy
3 references·1 citing·17 second hop
Oil, gold, stones: cultural value in Italian cultural policy (2019)Oil, gold, stones: cultural value in Ital…COMMODIFICATION AND INSTRUMENTALITY IN CULTURAL POLICY (2007)COMMODIFICATION AND INSTRUMEN…The Expediency of Culture (2003)The Expediency of CultureHeritage and ‘cultural assets’ (2001)Heritage and ‘cultural assets’The rise of the commons, cultural spaces and policy in Southern Europe: why did this happen and why do we care? (2025)The rise of the commons, cult…Use or Ornament?: The Social Impact of Participation in the Arts (1997)Art as a means of alleviating social exclusion: Does it really work? A critique of instrumental cultural policies and social impact studies in the UK (2002)Gifts of the Muse: Reframing the Debate About the Benefits of the Arts (2004)Sports Mega-Events as Part of a Nation's Soft Power Strategy: The Cases of Germany (2006) and the UK (2012) (2013)Culture and authenticity in urban regeneration processes: Place branding in central Barcelona (2014)Cultural policies for sustainable development: four strategic paths (2017)Case Study Research: Design and Methods (1984)Governing the Commons (1990)Case Study Research: Design and Methods (1991)The ‘tiers-lieux culturels’ as cultural and social infrastructures, and their support in French public policies (2025)Understanding ‘tiers-lieux’: framing and policy support of third places in France (2025)Special Section: Transnational Public Sphere: Transnationalizing the Public Sphere (2007)Ethnographies of Neoliberalism (2010)The Global Right Wing and the Clash of World Politics (2012)Community Museums and Global Connections (2006)Shared Heritage, Contested Terrain (2006)The Museum Outdoors (2006)
this work references cited by second hop

References

  • 2003The Expediency of Culture1,045 cited
  • 2007COMMODIFICATION AND INSTRUMENTALITY IN CULTURAL POLICY246 cited
  • 2001Heritage and ‘cultural assets’36 cited

Cited by

  • 2025The rise of the commons, cultural spaces and policy in Southern Europe: why did this happen and why do we care?5 cited

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