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• 2022Race- and gender-based under-representation of creative contributors: art, fashion, film, and music28 cited
• 2021Artistic careers in the cyclicality of art scenes and gentrification: symbolic capital accumulation through space in Bushwick, NYC17 cited
• 2023Understanding levels of online participation in the U.K. museum sector9 cited
• 2021Is there a ‘Venice Effect’? Participation in the Venice Biennale and the implications for artists’ careers9 cited
• 2024Cultural–Historical Activity Theory as an integrative model of socioscientific issue based learning in museums using extended reality technologies6 cited
• 2021Representational Belonging in Collections: A Comparative Study of Leading Trade Publications in Architecture5 cited
• 2023What a Trip4 cited
• 2019A Museum in Progress: The Practice of White Accompliceship with African Exhibitions3 cited
• 2022‘We want to know more than that’: lessons learnt from the public workshop on collections data at the V&A2 cited
• 2022Who Has a Right to the Museum? Representation and Belonging in Children’s Books About Going to an Art Museum2 cited
• 2023QUANTITATIVE VISITORS' ANALISYS TO THE FARM CULTURAL PARK MUSEUM (FCP), IN FAVARA, SICILY (ITALY)2 cited
• 2020Dear Sister Artist1 cited
• 2020Motsättningarnas museum : Samproduktionen av museiideal i den offentliga debatten om Moderna museet 1972–2013