Composite - Image Organization of the Dramaturgy of Dance Based Paintings

Abstract

The article offers the attempt of comprehension of issues such as: interaction of choreographic and fine arts; various forms of interaction of fine arts and dancing imagery in the scope of a production plan; ways of their artistic correlation supported by an example of several fine art works. Such things as the specifics of artistic reconsideration of Russian and Western European painting imagery in choreography, and its influence on the ballet master’s creative method, are studied. In the process of analyzing the stages of the ballet master's staging work, the already existing compositional and imaginative solutions of dance dramaturgy are presented, as well as new opportunities arising from drawing on pictural sources. Strategies and methodical instructions set forth in the article are intended for students of choreographic direction, as well as for students of any other creative majors in universities, academies of culture and arts.

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