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This article interrogates ideas of popular music "sound(s)" linked to place by interpreting data gathered during the applied research project Mapping Popular Music in Dublin (MPMiD) 2015-16. An outline background, rationale and framework for MPMiD is presented, followed by a review of methods developed and overall themes that emerged. Focusing on the project's "Sounding Dublin" strand, the article analyses the responses of 366 participants from a section of MPMiD's e-survey relating to music, musicians, sounds and soundtracks that might be considered "typical" (or otherwise) of Dublin. Although a substantial minority of participants eschew notions of sonic uniqueness linked to place in the abstract sense, the data reveal a rich tapestry of experiences and standpoints linked to ideas of a Dublin sound or sounds. Some appear to concur with conventional hagiographies of rock and folk, with others challenging received narratives and proposing alternative viewpoints, scenes and pathways. "Dublin-specific" associations emerging across various genres are based on appraisals of performer engagement, accent and timbre, and narrative/lyrical style.
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