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The pigments of the frigidarium in the Sarno Baths, Pompeii: Identification, stratigraphy and weathering
9 references·12 citing·46 second hop
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this work references cited by second hop

References

  • 2005Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments268 cited
  • 2008Green pigments of the Pompeian artists’ palette127 cited
  • 2011The Temple of Venus (Pompeii): a study of the pigments and painting techniques85 cited
  • 2014Invasive and non-invasive analyses for knowledge and conservation of Roman wall paintings of the Villa of the Papyri in Herculaneum74 cited
  • 2012FRESCO AND LIME‐PAINT: AN EXPERIMENTAL STUDY AND OBJECTIVE CRITERIA FOR DISTINGUISHING BETWEEN THESE PAINTING TECHNIQUES73 cited
  • 1815VIII. Some experiments and observations on the colours used in painting by the ancients73 cited
  • 2016What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis55 cited
  • 2017In situ X-ray fluorescence-based method to differentiate among red ochre pigments and yellow ochre pigments thermally transformed to red pigments of wall paintings from Pompeii42 cited
  • 2019Mineralogical clustering of the structural mortars from the Sarno Baths, Pompeii: A tool to interpret construction techniques and relative chronologies41 cited

Cited by

  • 2021Investigation of Ancient Wall Painting Fragments Discovered in the Roman Baths from Alburnus Maior by Complementary Non-Destructive Techniques21 cited
  • 2021Chemometrics and elemental mapping by portable LIBS to identify the impact of volcanogenic and non-volcanogenic degradation sources on the mural paintings of Pompeii19 cited
  • 2021Multitechnique diagnostic analysis and 3D surveying prior to the restoration of St. Michael defeating Evil painting by Mattia Preti

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17 cited
  • 2019Combining multispectral images with X-ray fluorescence to quantify the distribution of pigments in the frigidarium of the Sarno Baths, Pompeii16 cited
  • 2021Ochre-Based Pigments in the Tablinum of the House of the Bicentenary (Herculaneum, Italy) between Decorative Technology and Natural Disasters15 cited
  • 2020Two centuries of painted plasters from the Lateran suburban villa (Rome): investigating supply routes and manufacturing of pigments15 cited
  • 2024Production technique and multi-analytical characterization of a paint-plastered ceiling from the Late Antique villa of Negrar (Verona, Italy)13 cited
  • 2021Spectroscopic characterization of xx century mural paintings of punta begoña’s galleries under conservation works12 cited
  • 2022Characterization of Wall Paintings of the Harem Court in the Alhambra Monumental Ensemble: Advantages and Limitations of In Situ Analysis9 cited
  • 2023Petrographic and Chemical Characterization of the Frescoes by Saturnino Gatti (Central Italy, 15th Century)9 cited
  • 2020Monte Carlo SEM-EDS Nano-Microanalysis Strategy of Historical Mineral Pigments: The Simulation of the Egyptian Blue from Pompeii (Italy) as an Example8 cited
  • 2024Correlation of Visible Reflectance Spectrometry and Portable Raman Data for Red Pigment Identification8 cited