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The frenzy of the visible: spectacle and motion in the era of the digital
4 references·0 citing·12 second hop
The frenzy of the visible: spectacle and motion in the era of the digital (2000)The frenzy of the visible: spectacle and …Cinema and Spectatorship (2002)Cinema and SpectatorshipLaughing Screaming: Modern Hollywood Horror and Comedy (1995)Laughing Screaming: Modern Ho…Computers as Theatre (1993)Computers as TheatreThe Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…The Effects of Progressive Levels of Interactivity and Vividness in Web Marketing Sites (2001)EXAMINING SOCIAL PRESENCE IN ONLINE COURSES IN RELATION TO STUDENTS' PERCEIVED LEARNING AND SATISFACTION (2003)Patterns of engagement in authentic online learning environments (2003)The New Film History as Media Archaeology (2005)The Cinema of Attractions Reloaded (2006)Aesthetics as Philosophy of Perception (2016)Wrestling in Woolly Gloves: Not Just Being Critically Media Literate (2002)Beyond the Black Macho: Queer Blaxploitation (2004)The Children's Horror Film: Characterizing an “Impossible” Subgenre (2016)Visual Aspects of Media Literacy (1998)The Startle Effect: Implications for Spectator Cognition and Media Theory (2000)House of Glass: Culture, Modernity, and the State in Southeast Asia (2001)
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References

  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 1993Computers as Theatre1,251 cited
  • 2002Cinema and Spectatorship202 cited
  • 1995Laughing Screaming: Modern Hollywood Horror and Comedy93 cited

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