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Xenophilia in British Musical History
1 references·1 citing·7 second hop
Xenophilia in British Musical History (2019)Xenophilia in British Musical HistoryA Hundred Years of Music (1964)A Hundred Years of MusicHenry Wood, the ?Proms,? and National Identity in Music, 1895-1904 (2005)Henry Wood, the ?Proms,? and …The Fall of Public Man (1977)The Fall of Public Man (1987)The Mid-Victorian Generation (1998)Embodying Music: The Visuality of Three Iconic Conductors in London, 1840-1940 (2010)"Afrika singt": Austro-German Echoes of the Harlem Renaissance (1977)The Historical Structure: Adorno's "French" Model for the Criticism of Nineteenth-Century Music (1978)Temporality in Nineteenth-Century Russian Music and the Notion of Development (2013)
this work references cited by second hop

References

  • 1964A Hundred Years of Music22 cited

Cited by

  • 2005Henry Wood, the ?Proms,? and National Identity in Music, 1895-19044 cited

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