A questão do referente em alguns fotógrafos contemporâneos

Abstract

Although the illusory characteristic ofthe photography as reproduction of the real can be a fact sufficiently known, and its potentialities, in order to construct and deconstruct whatis conceived as strictimages of the world, have been widely explored either by the artistic and theoretical point of view, the issue returns in the contemporaneity, raising new reflections. In this essay, some present day photographers are selected, whose works are directed to the obsessive search between the photography and reality through many strategies: from a secondary use of the iconization process of the images up to the definition of the photographic act as a result of an intersubjective encounter in permanent construction.

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