SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Raman and Fourier transform infrared microspectroscopies reveal medieval Hispano–Muslim wood painting techniques and provide new insights into red lead production technology
16 references·3 citing·31 second hop
Raman and Fourier transform infrared microspectroscopies reveal medieval Hispano–Muslim wood painting techniques and provide new insights into red lead production technology (2019)Raman and Fourier transform infrared micr…Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Raman spectroscopic library o…The darkening of copper- or lead-based pigments explained by a structural modification of natural orpiment: a spectroscopic and electrochemical study (2017)The darkening of copper- or l…Mobile Spectroscopic Instrumentation in Archaeometry Research (2016)Mobile Spectroscopic Instrume…Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments (2016)Analysis of artist’s palette …Analytical chemistry in the field of cultural heritage (2015)Analytical chemistry in the f…In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra (2012)In situ noninvasive Raman mic…Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing (2009)Characterization of Lapis Laz…Chromatic alterations of red lead pigments in artworks: a review (2008)Chromatic alterations of red …Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification (2007)Raman Spectra of Proteinaceou…Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium: A Diction…Analytical Techniques in Materials Conservation (2007)Analytical Techniques in Mate…Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman spectroscopy as a means…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts (2001)Chemical Alteration and Use o…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis with micro-Raman spe…The materials and techniques of medieval painting (1956)The materials and techniques …A Study on the Materials Used in the Ancient Architectural Paintings from the Qing Dynasty Tibetan Buddhist Monastery of Puren, China (2023)A Study on the Materials Used…Color Paintings of Taiping Heavenly Kingdom Royal Residence: An Analytical Study (2022)Color Paintings of Taiping He…Characterization of Wall Paintings of the Harem Court in the Alhambra Monumental Ensemble: Advantages and Limitations of In Situ Analysis (2022)Characterization of Wall Pain…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Infrared Spectroscopy in Conservation Science (2000)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Characterizing the pigments and paints of prehistoric artists (2021)The Organic Chemistry of Museum Objects (1988)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Raman microscopy in archaeological science (2004)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Painting Materials: A Short Encyclopedia (2011)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Critical evaluation of portable Raman spectrometers: From rock outcrops and planetary analogs to cultural heritage – A review (2021)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts (2018)Quantitative Analysis of Minium and Vermilion Mixtures Using Low-Frequency Vibrational Spectroscopy (2019)Raman approach to the forensic study of bronze patinas (2021)Colour and art: A brief history of pigments (2005)Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprinting (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Characterisation of organic residues in pottery vessels of the Roman age from Antinoe (Egypt) (2004)Investigating the history of prehistoric glues by gas chromatography–mass spectrometry (2004)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Vegetable Tannins Used in the Manufacture of Historic Leathers (2018)Fatty Acids and Their Metal Salts: A Review of Their Infrared Spectra in Light of Their Presence in Cultural Heritage (2021)Thin Section Petrography, Geochemistry and Scanning Electron Microscopy of Archaeological Ceramics (2022)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 2001Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts283 cited
  • 2001Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products282 cited
  • 2007Analytical Techniques in Materials Conservation262 cited
  • 1956The materials and techniques of medieval painting252 cited
  • 2015Analytical chemistry in the field of cultural heritage158 cited
  • 2016Mobile Spectroscopic Instrumentation in Archaeometry Research120 cited
  • 2018Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts120 cited
  • 2008Chromatic alterations of red lead pigments in artworks: a review105 cited
  • 2007Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification98 cited
  • 2009Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

90 cited
  • 2016Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments61 cited
  • 2012In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra55 cited
  • 2017The darkening of copper- or lead-based pigments explained by a structural modification of natural orpiment: a spectroscopic and electrochemical study46 cited
  • Cited by

    • 2023A Study on the Materials Used in the Ancient Architectural Paintings from the Qing Dynasty Tibetan Buddhist Monastery of Puren, China11 cited
    • 2022Color Paintings of Taiping Heavenly Kingdom Royal Residence: An Analytical Study9 cited
    • 2022Characterization of Wall Paintings of the Harem Court in the Alhambra Monumental Ensemble: Advantages and Limitations of In Situ Analysis9 cited