In-Field Digital Photography and the Curation of Associated Records: Not All Prints Are Created Equal

Abstract

Abstract With the advent of commercially available digital cameras in the late 1990s resulting in the near-exclusion of analog photographic prints today, most archaeological repositories around the world have a mix of analog and digital photographic prints. That ratio is increasingly moving toward digital print processes, of which there are several types. To minimize the loss of image quality, collection managers must become familiar with the unique curation challenges of photographic prints from digitally created images. Likewise, creators of digital content must be aware that choices made when selecting a print process for reposit will have a direct effect on image and print permanence. Site photographs are critical evidence of archaeological activity, and so the preservation of digital prints is in the interest, and is the responsibility, of collection managers and archaeologists alike.

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