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An unknown “classic cave”: Re-evaluation of El Salitre (Ajanedo, Cantabria, Spain) rock art with 3D digital recording methodologies
7 references·0 citing·31 second hop
An unknown “classic cave”: Re-evaluation of El Salitre (Ajanedo, Cantabria, Spain) rock art with 3D digital recording methodologies (2019)An unknown “classic cave”: Re-evaluation …Painted in red: In search of alternative explanations for European Palaeolithic cave art (2017)Painted in red: In search of …Applications of digital photography in the study of Paleolithic cave art (2016)Applications of digital photo…Digital image enhancement with DStretch®: Is complexity always necessary for efficiency? (2015)Digital image enhancement wit…New views on old hands: the context of stencils in El Castillo and La Garma caves (Cantabria, Spain) (2014)New views on old hands: the c…Las ciervas punteadas en las cuevas del paleolítico: una expresión pictórica propia de la cornisa cantábrica (2010)Las ciervas punteadas en las …Art pariétal : grottes ornées du Quercy (2010)Art pariétal : grottes ornées…Las pinturas zoomorfas punteadas del Paleolítico Superior cantábrico: hacia una cronología dilatada de una tradición gráfica homogénea (2008)Las pinturas zoomorfas puntea…The Application of the Harris Matrix to San Rock Art at Main Caves North, Kwazulu-Natal (2000)The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art (2007)An illustrated prehistory of the Jubbah oasis: Reconstructing Holocene occupation patterns in north‐western Saudi Arabia from rock art and inscriptions (2017)The Archaeology of Sulawesi: Current Research on the Pleistocene to the Historic Period (2018)The mind in the cave: consciousness and the origins of art (2003)The nature of Paleolithic art (2006)U-Series Dating of Paleolithic Art in 11 Caves in Spain (2012)Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response (2017)The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art (2018)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)Cave Art in Context: Methods for the Analysis of the Spatial Organization of Cave Sites (2011)Application of 3-dimensional microscopy and micro-CT scanning to the analysis of Magdalenian portable art on bone and antler (2013)A step further in rock art digital enhancements. DStretch on Gigapixel imaging (2019)Lithic or metal tools: Techno-traceological and 3D analysis of rock art (2019)Hidden images in Atxurra Cave (Northern Spain): A new proposal for visibility analyses of Palaeolithic rock art in subterranean environments (2020)The Prehistoric Development of Clothing: Archaeological Implications of a Thermal Model (2010)The Palaeolithic origins of human burial (2011)Evaluating the Photoprotective Effects of Ochre on Human Skin by In Vivo SPF Assessment: Implications for Human Evolution, Adaptation and Dispersal (2015)Still no archaeological evidence that Neanderthals created Iberian cave art (2019)From cave geomorphology to Palaeolithic human behaviour: speleogenesis, palaeoenvironmental changes and archaeological insight in the Atxurra‐Armiña cave (northern Iberian Peninsula) (2020)The symbolic role of the underground world among Middle Paleolithic Neanderthals (2021)Hallazgo de dos nuevos bisontes en la cueva de Altxerri (Aia, País Vasco). (1996)Immédiat et successif : le temps de l'art des cavernes (2005)Nouveaux regards sur la Grotte de La Peña (San Román de Candamo, Asturies, Espagne) (2011)At the crossroad: A new approach to the Upper Paleolithic art in the Western Pyrenees (2014)Modes of space appropriation in the decorated caves of El Castillo and La Pasiega (Puente Viesgo, Cantabria, Spain) (2019)Convenciones gráficas en el arte parietal del Paleolítico cantábrico : la perspectiva de las figuras zoomorfas = Graphic conventions in Cantabrian Paelolithic rock art, the perspective of zoomorphic figures / Aitor Ruiz Redondo. (2011)Redefining shared symbolic networks during the Gravettian in Western Europe: New data from the rock art findings in Aitzbitarte caves (Northern Spain) (2020)Symbolic Use of Clay Before Pottery: Insights from the Palaeolithic Rock Art Site of Cova Dones (Eastern Iberia) (2025)The social construction of caves and rockshelters: Chauvet Cave (France) and Nawarla Gabarnmang (Australia) (2013)Who brought the bird remains to the Middle Palaeolithic site of Les Fieux (Southwestern, France)? Direct evidence of a complex taphonomic story (2015)
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References

  • 2014New views on old hands: the context of stencils in El Castillo and La Garma caves (Cantabria, Spain)88 cited
  • 2015Digital image enhancement with DStretch®: Is complexity always necessary for efficiency?75 cited
  • 2010Art pariétal : grottes ornées du Quercy48 cited
  • 2016Applications of digital photography in the study of Paleolithic cave art35 cited
  • 2017Painted in red: In search of alternative explanations for European Palaeolithic cave art26 cited
  • 2008Las pinturas zoomorfas punteadas del Paleolítico Superior cantábrico: hacia una cronología dilatada de una tradición gráfica homogénea9 cited
  • 2010Las ciervas punteadas en las cuevas del paleolítico: una expresión pictórica propia de la cornisa cantábrica8 cited

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