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Community-Based Museum Ecologies: Public Doors and Windows and Les Nouveaux Commanditaires (‘The New Patrons’)
12 references·0 citing·42 second hop
Community-Based Museum Ecologies: Public Doors and Windows and Les Nouveaux Commanditaires (‘The New Patrons’) (2019)Community-Based Museum Ecologies: Public …Future Museum Experience Design: Crowds, Ecosystems and Novel Technologies (2018)Future Museum Experience Desi…Curated Decay: Heritage beyond Saving (2017)Curated Decay: Heritage beyon…Strike Art: Contemporary Art and the Post-Occupy Condition (2016)Strike Art: Contemporary Art …The Liquid Museum: New Institutional Ontologies for a Complex, Uncertain World (2015)The Liquid Museum: New Instit…Introduction: Museum Theory: An Expanded Field (2015)Introduction: Museum Theory: …Ecomuseums and Contemporary Multi-cultural Communities: Assessing Problems and Potentialities through the Experience of the Écomusée du Val de Bièvre, Fresnes, France (2015)Ecomuseums and Contemporary M…Contentious Politics and Museums as Contact Zones (2015)Contentious Politics and Muse…Walking and Mapping: Artists as Cartographers (2013)Walking and Mapping: Artists …NEOCOLONIAL COLLABORATION: Museum as Contact Zone Revisited (2011)NEOCOLONIAL COLLABORATION: Mu…Ecomuseums and sustainability in Italy, Japan and China: adaptation through implementation (2006)Ecomuseums and sustainability…Museum as ecology: A case study analysis of an ambient intelligent museum guide (2005)Museum as ecology: A case stu…Information Ecologies (1999)Information EcologiesImperial Eyes (1900)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Dynamics of Contention (2001)Heritage Contests: What Can We Learn from Social Movements? (2017)Redemption for the Museum of the Bible? Artifacts, provenance, the display of Dead Sea Scrolls, and bias in the contact zone (2021)Heritage conflict evolution: changing framing strategies and opportunity structures in two heritage district redevelopment projects in China (2024)Anti-Oedipus: Capitalism and Schizophrenia (1978)We Have Never Been Modern (1994)Vibrant Matter (2010)No Museum is an Island: Ethnography beyond Methodological Containerism (2018)Participatory research and planning in practice (2021)Thinking Phygital: A Museological Framework of Predictive Futures (2021)White Mythologies: Writing History and the West (1991)Routes: Travel and Translation In the Late Twentieth Century (1998)Postcolonial Theory and Organizational Analysis (2003)Social Justice as Topic and Tool: An Attempt to Transform an LIS Curriculum and Culture (2015)Collaborative Archaeologies and Descendant Communities (2016)Digital cultural colonialism: measuring bias in aggregated digitized content held in Google Arts and Culture (2020)The Participatory Museum (2010)Creating the Visitor-Centered Museum (2016)Identity and the Museum Visitor Experience (2016)Designing sensory museum experiences for visitors’ emotional responses (2021)Discovering the determinants of museum visitors’ immersion into experience: the impact of interactivity, expectations, and skepticism (2021)The strategic governance of the digital accounting environment: insights from virtual museums (2021)The Place of Face-to-Face Communication in Distributed Work (2002)Learning Ecologies for Technological Fluency: Gender and Experience Differences (2004)Beyond Play (2007)Japan ecomuseums: Global models for concrete realities (2010)The Role of The Ecomuseo Dei Terrazzamenti E Della Vite, (Cortemilia, Italy) in Community Development (2015)Ecomuseums in China: Challenges and Defects to the Existing Practical Framework (2021)Metamuseological challenges in the work of Zbyněk Stránský (2016)Sentimental Education. Sound and Silence at History Museums (2018)Discourse analysis and non-representational theories in heritage studies: a non-reductionist take on their compatibility (2019)Anticipating loss: rethinking endangerment in heritage futures (2019)Participative co-creation of archaeological heritage: Case insights on creative tourism in Alentejo, Portugal (2019)Integrating nature-based solutions and the conservation of urban built heritage: Challenges, opportunities, and prospects (2021)The art of labour organizing: Participatory art and migrant domestic workers’ self-organizing in London (2019)What Can Art and Art Education Do in the Perilous Present? (2019)How art becomes organization: Reimagining aesthetics, sites and politics of entrepreneurship (2021)Close Up at a Distance: Mapping Technology and Politics (2014)Walkings-through paint: A c/a/r/tography of slow scholarship (2017)Inefficient Mapping (2021)
this work references cited by second hop

References

  • 1999Information Ecologies1,014 cited
  • 2011NEOCOLONIAL COLLABORATION: Museum as Contact Zone Revisited350 cited
  • 2013Walking and Mapping: Artists as Cartographers168 cited
  • 2017Curated Decay: Heritage beyond Saving151 cited
  • 2016Strike Art: Contemporary Art and the Post-Occupy Condition89 cited
  • 2018Future Museum Experience Design: Crowds, Ecosystems and Novel Technologies52 cited
  • 2015The Liquid Museum: New Institutional Ontologies for a Complex, Uncertain World32 cited
  • 2006Ecomuseums and sustainability in Italy, Japan and China: adaptation through implementation19 cited
  • 2015Contentious Politics and Museums as Contact Zones16 cited
  • 2015Introduction: Museum Theory: An Expanded Field15 cited
  • 2005Museum as ecology: A case study analysis of an ambient intelligent museum guide14 cited
  • 2015Ecomuseums and Contemporary Multi-cultural Communities: Assessing Problems and Potentialities through the Experience of the Écomusée du Val de Bièvre, Fresnes, France12 cited

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