SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Legacy of ‘ Ariadne’ and the Melodramatic Sublime
16 references·0 citing·41 second hop
The Legacy of ‘ Ariadne’ and the Melodramatic Sublime (2018)The Legacy of ‘ Ariadne’ and the Melodram…French Opera 1730-1830: Meaning and Media (2024)French Opera 1730-1830: Meani…Melodramatic Voices: Understanding Music Drama (2016)Melodramatic Voices: Understa…The Theory of the Sublime from Longinus to Kant (2015)The Theory of the Sublime fro…Allgemeine Theorie der sch�nen K�nste (2013)Allgemeine Theorie der sch�ne…Ombra: Supernatural Music in the Eighteenth Century (2012)Ombra: Supernatural Music in …Cherubini and the Revolutionary Sublime (2012)Cherubini and the Revolutiona…Empress Marie Therese and music at the Viennese court, 1792-1807 (2004)Empress Marie Therese and mus…The Other Beethoven: Heroism, the Canon, and the Works of 1813–14 (2003)The Other Beethoven: Heroism,…The characteristic symphony in the age of Haydn and Beethoven (2003)The characteristic symphony i…Sonorous Bodies: Women and the Glass Harmonica (2000)Sonorous Bodies: Women and th…Das Monologische als Denkform in der Musik zwischen 1760 und 1785 (1998)Das Monologische als Denkform…Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century (1997)Idealism and the Aesthetics o…A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759) (1996)A philosophical enquiry into …Charles-Valentin Alkan (1991)Charles-Valentin AlkanSchubert Studies: Problems of Style and Chronology (1983)Schubert Studies: Problems of…The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (1978)The Melodramatic Imagination:…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Beethoven Hero (1995)Theorizing Musical Meaning (2001)The Apotheosis of Josquin des Prez and Other Mythologies of Musical Genius (2004)Defining the Term 'Absolute Music' Historically (2009)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1954)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)The orchestral revolution: Haydn and the technologies of timbre (2013)Kritische Friedrich-Schlegel-Ausgabe (2020)Empty Minds: Innovating Audience Participation in Symphonic Practice (2021)Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries (1981)Aesthetics and subjectivity from Kant to Nietzsche (1991)The Characteristic Symphony in the Age of Haydn and Beethoven (2002)BEETHOVEN AND THE SOUND OF REVOLUTION IN VIENNA, 1792–1814 (2014)Recomposing National Identity: Four Transcultural Readings of Liszt's Marche hongroise d'après Schubert (2016)Music and the Sonorous Sublime in European Culture, 1680–1880 (2020)Truth and Method (1960)The Anxiety of Influence: A Theory of Poetry (1974)The Differend: Phrases in Dispute (1983)The Sublime (2018)Herder's Naturalist Aesthetics (2019)Herodotus and Imperial Greek Literature (2022)The psychology of curiosity: A review and reinterpretation. (1994)Guided by the dark: From thanatopsistothanatourism (1996)Towards a Theory of Securitization: Copenhagen and Beyond (2007)Gradus ad Parnassum: Beethoven, Schubert, and the Romance of Counterpoint (1987)Articulation, Elision, and Ambiguity in Schubert's Mature Sonata Forms: The Op. 99 Trio Finale in Its Context (1988)Piano Four-Hands: Schubert and the Performance of Gay Male Desire (1997)Theorizing the Cultural Roots of the Bohemian Artist (2000)The Melodramas of Globalization (2008)Examining Emotion as Discourse: Emotion Codes and Presidential Speeches Justifying War (2009)History of Modern Aesthetics (2005)The History of Eighteenth-Century Philosophy: History or Philosophy? (2006)Wordsworth and the Poetics of Air (2018)Amico (2009)The Cambridge Companion to French Music (2015)The Renaissance (2015)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Mozart's Requiem: reception, work, completion (2013)
this work references cited by second hop

References

  • 1996A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759)1,350 cited
  • 2015The Theory of the Sublime from Longinus to Kant282 cited
  • 1978The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess235 cited
  • 2004Empress Marie Therese and music at the Viennese court, 1792-1807155 cited
  • 1997Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century126 cited
  • 2003The Other Beethoven: Heroism, the Canon, and the Works of 1813–14118 cited
  • 1983Schubert Studies: Problems of Style and Chronology106 cited
  • 2024French Opera 1730-1830: Meaning and Media76 cited
  • 2013Allgemeine Theorie der sch�nen K�nste64 cited
  • 2012Cherubini and the Revolutionary Sublime62 cited
  • 2003The characteristic symphony in the age of Haydn and Beethoven60 cited
  • 2012Ombra: Supernatural Music in the Eighteenth Century59 cited
  • 2016Melodramatic Voices: Understanding Music Drama59 cited
  • 1998Das Monologische als Denkform in der Musik zwischen 1760 und 178559 cited
  • 2000Sonorous Bodies: Women and the Glass Harmonica54 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

1991
Charles-Valentin Alkan
49 cited

Cited by

No citing works inside the corpus for this window.