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Muzyka w funkcji reprezentacji. Między muzykologią a socjologią muzyki
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Muzyka w funkcji reprezentacji. Między muzykologią a socjologią muzyki (2018)Muzyka w funkcji reprezentacji. Między mu…The Musical Representation (2007)The Musical RepresentationMusic, Philosophy, and Modernity (2007)Music, Philosophy, and Modern…Music as Representation (2005)Music as RepresentationThe Production of Popular Music as a Confidence Game: The Case of the Chicago Blues (2004)The Production of Popular Mus…Musical MeaningToward a Critical History (2001)Musical MeaningToward a Criti…Listening with Imagination: Is Music Representational? (1994)Listening with Imagination: I…Tradition and novelty in concert programming: Bringing the artist back into cultural analysis (1993)Tradition and novelty in conc…Music as Cultural Practice, 1800-1900 (1991)Music as Cultural Practice, 1…Schools of Activity and Innovation (1988)Schools of Activity and Innov…Coordination and Convention: The Organization of the Concert World (1987)Coordination and Convention: …The Strategy of Conflict (1960)The Structure of Scientific Revolutions (1963)Markets and Hierarchies: Analysis and Antitrust Implications. (1976)The symphony: Organizational discourse and the symbolic tensions between artistic and business ideologies (2000)Music Worlds and Event Networks: An Exposition (2023)Social Theory and Social Structure (1958)Social Theory and Social Structure. (1958)The complexity of institutional niches: (2004)Group Culture and the Interaction Order: Local Sociology on the Meso-Level (2012)The History and Development of Lagu Seriosa in the Context of Musical Nationalism in Indonesia (2017)The Theory of Social and Economic Organization. (1948)Human behavior and the principle of least effort (1949)Exit, Voice, and Loyalty (1970)Chord and discord: organizational crisis, institutional shifts, and the musical canon of the symphony (2002)Innovation and Selection: Symphony Orchestras and the Construction of the Musical Canon in the United States (1879-1959) (2010)“Write a Word, Get a Third” (2015)The Presentation of Self in Everyday Life. (1956)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)People in Places (2004)The Girl Hunt: Urban Nightlife and the Performance of Masculinity as Collective Activity (2007)Managing “Spoiled” National Identity: War, Tourism, and Memory in Croatia (2008)Distinction: A Social Critique of the Judgement of Taste* (2018)Bach's Dialogue with Modernity: Perspectives on the Passions (2010)Music and Ethical Responsibility (2014)Romanticism and the Re-Invention of Modern Religion (2019)Triple acculturation: The role of African Americans in the consumer acculturation of Kenyan immigrants (2007)The Estonian song celebration (Laulupidu) as an instrument of language policy (2016)ISLAM DAN WARISAN KESENIAN KESULTANAN PALEMBANG DARUSSALAM (2018)U sing the P ersona to E xpress C omplex E motions in M usic (2010)Compositions, Scores, Performances, Meanings (2012)Philosophy of Linguistics (2019)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Music Education and Cultural Identity (2005)Performing History: The Importance of Occasions (2005)Thoughtwriting —in Poetry and Music (2011)Music, Memory, and Affect Attunement: Connecting Kurdish Diaspora in Stockholm (2016)Sharing songs on Hirakata Square: On playlists and place attachment in contemporary music listening (2019)Action and Agency Revisited (2013)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Enacting Musical Time (2019)
this work references cited by second hop

References

  • 2001Musical MeaningToward a Critical History281 cited
  • 1991Music as Cultural Practice, 1800-1900230 cited
  • 2007Music, Philosophy, and Modernity211 cited
  • 2007The Musical Representation111 cited
  • 2004The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues72 cited
  • 1987Coordination and Convention: The Organization of the Concert World63 cited
  • 1994Listening with Imagination: Is Music Representational?58 cited
  • 1988Schools of Activity and Innovation54 cited
  • 1993Tradition and novelty in concert programming: Bringing the artist back into cultural analysis27 cited
  • 2005Music as Representation26 cited

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