From folklore to patriotic and protest songs: Music, youth, and Basque identity during the 1960s

Abstract

Abstract Taking a bottom‐up approach to the study of nationalism, the following pages constitute an attempt to shed light on the role singing played for a young generation of Basques who actively participated in the process of construction of Basque collective identity during the cultural revival movement of the 1960s. In doing so, this article aims at showing the fundamental role of active audiences, as well as their changing political and social context, in conforming the meaning of “Basque songs” as means to promote Basque nationalism and sustain opposition to the Franco regime. The study of the production, reception, and reinterpretation of Basque music during the cultural revival of the 1960s presented here intends to emphasize the interest of focusing on how ordinary people contribute to the recreation of the nation through their appropriation and interpretation of cultural symbols and practices.

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