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Harmonic Perception and Voice Leading Spaces of Set Classes Related by Unordered Interval Classes
16 references·0 citing·33 second hop
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References

  • 1974The Structure of Atonal Music297 cited
  • 1991Introduction to Post-Tonal Theory277 cited
  • 2012A geometry of music: harmony and counterpoint in the extended common practice204 cited
  • 1990Composition with Pitch Classes: A Theory of Compositional Design91 cited
  • 1959Re: Intervallic Relations between Two Collections of Notes88 cited
  • 2012A Theory of Music Analysis: On Segmentation and Associative Organization87 cited
  • 1964A Theory of Set-Complexes for Music61 cited
  • 1990The Music of Claude Debussy61 cited
  • 1979A Similarity Index for Pitch-Class Sets52 cited
  • 1988Pitch-Class Set Genera and the Origin of Modern Harmonic Species49 cited
  • 1990Similarity of Interval-Class Content between Pitch-Class Sets: The IcVSIM Relation48 cited
  • 1977Forte's "Interval Vector, My Interval Function", and Regener's "Common-Note Function"39 cited
  • 1979A Response to a Response: On PCSet Relatedness25 cited
  • 2008Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts22 cited
  • 1998Pitch-Class Set Genera: My Theory, Forte's Theory16 cited
  • 1981Intervallic Similarity Relations in Atonal Set Analysis

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