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When nationalism meets hip-hop: aestheticized politics of ideotainment in China
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  • 2021The BTS sphere: Adorable Representative M.C. for Youth’s transnational cyber-nationalism on social media31 cited
  • 2020From Underground to Mainstream and Then What? Empowerment and Censorship in China’s Hip-Hop Music25 cited
  • 2019Rappers as Knights-Errant: Classic Allusions in the Mainstreaming of Chinese Rap25 cited
  • 2020‘Jianghu flow’: examining cultural resonance in The Rap of China12 cited
  • 2023Musical taste preferences in Chinese hip‐hop: Between cultural openness and the rejection of vulgarity10 cited
  • 2022How popular music pedagogy is integrated in the diverse environment of international school education in China: A case study in Shanghai10 cited
  • 2023Fandom Culture as a Catalyst for Propaganda10 cited
  • 2024Integration of traditional Chinese music: an evaluation of the interactive influence between traditional music and aesthetic thought9 cited
  • 2020From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos9 cited
  • 2022Localization and mainstream emergence of hip-hop music in China: a critical transculturalism perspective

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7 cited
  • 2023Keeping It Real in Chinese Hip-Hop: Everyday Authenticity and Coming From the Street7 cited
  • 2024Infusing patriotism in popular culture: the multimodal construction of patriotic values in a Chinese main melody film6 cited
  • 2024Cooptation, hijacking, or normalization? The discursive concession of body politics on Douyin6 cited