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Musical Ontology and the Question of Persistence
16 references·0 citing·33 second hop
Musical Ontology and the Question of Persistence (2019)Musical Ontology and the Question of Pers…Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works (2018)Every Performance Is a Stage:…Platonism vs. Nominalism in Contemporary Musical Ontology (2013)Platonism vs. Nominalism in C…Art and Abstract Objects (2013)Art and Abstract ObjectsMusical Materialism (2011)Musical MaterialismMusical Works: Ontology and Meta‐Ontology (2008)Musical Works: Ontology and M…Making Tracks: The Ontology of Rock Music (2006)Making Tracks: The Ontology o…Defending Musical Perdurantism (2005)Defending Musical PerdurantismThe Ontology of Art (2004)The Ontology of ArtArt as Performance (2004)Art as PerformanceArtworks as Historical Individuals (2003)Artworks as Historical Indivi…Art as Performance (2003)Art as PerformanceMoore Against The New Skeptics (2001)Moore Against The New SkepticsWords (1990)WordsOn Musical Improvisation (1984)On Musical ImprovisationPLATONISM IN MUSIC: A KIND OF DEFENSE (1983)PLATONISM IN MUSIC: A KIND OF…What a Musical Work Is (1980)What a Musical Work IsPHILOSOPHY AND PHENOMENOLOGICAL RESEARCH (1941)Naming and Necessity (1972)Debates about the Ontology of Art: What are We Doing Here? (2006)The meaning of ‘meaning’ (2010)Propositions, attitudinal objects, and the distinction between actions and products (2013)The Principles of Judaism (2020)The Problems of Philosophy (1999)Musical Works and Performances (2001)The Primacy of Practice in the Ontology of Art (2009)Art and its Objects (2015)There Are No Such Things As Theories (2020)Rhythm and Noise: An Aesthetics of Rock (1996)I Did It My Way: Rock and the Logic of Covers (2010)All Play and No Work: An Ontology of Jazz (2011)Descriptivism and Its Discontents (2017)Against Value Empiricism in Aesthetics (2009)Aesthetic hedonism and its critics (2019)Aesthetic practices and normativity (2020)An Introduction to the Theory of Knowledge (2007)Common Sense as Evidence: Against Revisionary Ontology and Skepticism (2008)Moorean Arguments and Moral Revisionism (2009)Adventures in the metaontology of art: local descriptivism, artefacts and dreamcatchers (2012)SOFTWARE IS AN ABSTRACT ARTIFACT (2012)Choreography Invisible (2020)Art and Intention (2005)How to have a radically minimal ontology (2009)A Cognitive Model of Improvisation in Emergency Management (2007)The End of Early Music (2007)Explaining Creativity (2023)Meaning, Expression and Thought (2002)The moral fixed points: new directions for moral nonnaturalism (2014)Ordinary Objects (2007)Metaphysical Disputes and Metalinguistic Negotiation (2016)
this work references cited by second hop

References

  • 1990Words315 cited
  • 2004Art as Performance309 cited
  • 1980What a Musical Work Is258 cited
  • 1984On Musical Improvisation195 cited
  • 2003Artworks as Historical Individuals163 cited
  • 2004The Ontology of Art130 cited
  • 2003Art as Performance122 cited
  • 2006Making Tracks: The Ontology of Rock Music119 cited
  • 1983PLATONISM IN MUSIC: A KIND OF DEFENSE118 cited
  • 2001Moore Against The New Skeptics105 cited
  • 2005Defending Musical Perdurantism100 cited
  • 2013Art and Abstract Objects89 cited
  • 2018Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works51 cited
  • 2011Musical Materialism51 cited
  • 2013Platonism vs. Nominalism in Contemporary Musical Ontology45 cited
  • 2008Musical Works: Ontology and Meta‐Ontology41 cited

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