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DIY Cultures and Underground Music Scenes
4 references·9 citing·39 second hop
DIY Cultures and Underground Music Scenes (2019)DIY Cultures and Underground Music ScenesRelational aesthetics (2011)Relational aestheticsResearching youth culture and popular music: a methodological critique (2002)Researching youth culture and…Rock Culture in Liverpool: Popular Music in the Making. (1992)Rock Culture in Liverpool: Po…Rock culture in Liverpool: popular music in the making (1992)Rock culture in Liverpool: po…Negotiating underground status through hybrid visibilities: WeChat event promotion in Shanghai music and performance scenes (2025)Negotiating underground statu…From the left to the right, from the fringe to the centre: The trajectories of Iran's DIY hip-hop culture (2023)From the left to the right, f…DIY or die? A typology of DIY careers in the Portuguese independent music scenes (2023)DIY or die? A typology of DIY…A self-made Zimbabwean musician: A case study of DIY culture in the global south (2023)A self-made Zimbabwean musici…Memorabilia, Collectables and Enshrinement (2022)Memorabilia, Collectables and…Local Music Collectors in Cultural Heritage Organizations: Finding Joy through Occupational Devotion (2022)Local Music Collectors in Cul…Popular Music, Technology, and the Changing Media Ecosystem (2020)Popular Music, Technology, an…Introduction: Songs that Sing the Crisis: Music, Words, Youth Narratives and Identities in Late Modernity (2020)Introduction: Songs that Sing…Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity (2020)Defining Authenticity in the …The Interpretation of Cultures (1974)Club Cultures: Music, Media and Subcultural Capital (1997)Ethnography through Thick and Thin (1999)Music and the wellbeing of people with dementia (2006)The intimate insider: negotiating the ethics of friendship when doing insider research (2011)Subculture: The Meaning of Style (1995)Music in Everyday Life (2000)Music as social life: the politics of participation (2009)‘People Have the Power’: Songs of Resistance in Late Modernity (2021)El Rey: Diario de un Latin King (2021)ReXistências musicais entre arte e política (2022)Distinction: A Social Critique of the Judgement of Taste. (1985)Club cultures: music, media and subcultural capital (1996)Content analysis and thematic analysis: Implications for conducting a qualitative descriptive study (2013)Negotiating Hip Hop persons: Authenticity, participation and Breaking in Perth, Western Australia (2020)[Dr]illing in the name of: the criminalisation of Sydney drill group ONEFOUR (2022)Bodies That Matter: On the Discursive Limits of "Sex". (1995)Representation: Cultural representations and signifying practices. (1997)Embracing the Future: Creative Industries for Environment and Advanced Society 5.0 in a Post-Pandemic Era (2022)Streaming through a glass onion (2022)Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes (2023)Subculture: The Meaning of Style. (1981)Introduction: commodities and the politics of value (1986)The Social Life of Things: Commodities in Cultural Perspective (1988)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)The Precariat (2011)Meaningfulness in DIY/DIWO music making and learning: A duoethnographic exploration of a rock band and a high school choir (2025)Handbook of Theory and Research for the Sociology of Education. (1987)Researching Lived Experience: Human Science for an Action Sensitive Pedagogy (1990)Development as Freedom (1999)‘Insider Research’ in the Study of Youth Cultures (2005)Effects of group singing and performance for marginalized and middle-class singers (2005)Music Scenes: Local, Translocal, and Virtual (2011)Media and Participation: A site of ideological-democratic struggle (2011)Creativity and tourism in the city (2013)Games (2020)‘Going down the pub!’: The pub rock scene as a resource for the consumption of popular music (1997)But Is It Art? (2000)The real “crossroads” of live music – the conventions of performance at open mic nights in Edinburgh (2012)
this work references cited by second hop

References

  • 2011Relational aesthetics1,517 cited
  • 1992Rock Culture in Liverpool: Popular Music in the Making.301 cited
  • 2002Researching youth culture and popular music: a methodological critique166 cited
  • 1992Rock culture in Liverpool: popular music in the making47 cited

Cited by

  • 2020Introduction: Songs that Sing the Crisis: Music, Words, Youth Narratives and Identities in Late Modernity14 cited
  • 2020Popular Music, Technology, and the Changing Media Ecosystem10 cited
  • 2020Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity7 cited
  • 2023DIY or die? A typology of DIY careers in the Portuguese independent music scenes6 cited
  • 2022Memorabilia, Collectables and Enshrinement4 cited
  • 2023A self-made Zimbabwean musician: A case study of DIY culture in the global south3 cited
  • 2023From the left to the right, from the fringe to the centre: The trajectories of Iran's DIY hip-hop culture3 cited
  • 2025Negotiating underground status through hybrid visibilities: WeChat event promotion in Shanghai music and performance scenes3 cited
  • 2022Local Music Collectors in Cultural Heritage Organizations: Finding Joy through Occupational Devotion2 cited

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