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How Do We Listen To Museums?
8 references·6 citing·38 second hop
How Do We Listen To Museums? (2019)How Do We Listen To Museums?The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space (2017)The Multisensory Museum: Cros…Collecting the World (2017)Collecting the WorldMuseums and Silent Objects: Designing Effective Exhibitions (2016)Museums and Silent Objects: D…The sound of music heritage: curating popular music in music museums and exhibitions (2015)The sound of music heritage: …Sound in museums – museums in sound (2014)Sound in museums – museums in…The cabinet of Eros: Renaissance mythological painting and the studiolo of Isabella d'Este (2006)The cabinet of Eros: Renaissa…Museums and the Shaping of Knowledge (1992)Museums and the Shaping of Kn…Isabella d'Este and Lucrezia Borgia as Patrons of Music: The Frottola at Mantua and Ferrara (1985)Isabella d'Este and Lucrezia …The Multimodal Sensory Perception of Museum Environments: A Qualitative Case Study on the Visual and Haptic Museum Atmosphere in Istanbul (2026)The Multimodal Sensory Percep…Could Noise Become Beneficial? The Effect of Ambient Noise on Virtual Museum Engagement and Behavioural Intention (2026)Could Noise Become Beneficial…The Influence of Interpretational Background Music on Visitor Experience: An Eye-Tracking Study on a Virtual Art Exhibition (2024)The Influence of Interpretati…Perspectives of Sound: Promoting Social Inclusion Under the Principle of “Access for All” in Museums (2024)Perspectives of Sound: Promot…Communicating Through Sound in Museums: A Genre‐Based Framework (2024)Communicating Through Sound i…Mapping Sonic Practices in Museum Exhibitions – An Overview (2021)Mapping Sonic Practices in Mu…Civilizing Rituals: Inside Public Art Museums. (1998)Thinking About Exhibitions (2005)The Audible Artefact (2019)Museums and the Interpretation of Visual Culture (2020)Vers une muséologie des émotions (2020)Designing Soundscapes for Presence in Virtual Reality Exhibitions: A Study of Visitor Experiences (2021)Music and Theatre from Poliziano to Monteverdi (1982)"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century (1999)Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart (1999)Women and Music in Sixteenth-Century Ferrara (2018)The Cambridge History of Sixteenth-Century Music (2019)Performing Rites (1996)Performing rites: on the value of popular music (1997)Retromania: Pop Culture's Addiction to Its Own Past (2011)Curating popular music heritage: storytelling and narrative engagement in popular music museums and exhibitions (2016)How does music heritage get lost? Examining cultural heritage loss in community and authorised music archives (2020)Creative heritage: An approach for research and practice integrating heritage and the performing arts (2021)The Birth of the Museum: History, Theory, Politics (1995)The Birth of the Museum: History, Theory, Politics (1996)Seeking the Sound: Sound-Based Interpretive Approaches in Exhibitions of Sound-Producing Objects (2022)Measuring emotion: The self-assessment manikin and the semantic differential (1994)Eye movements in reading and information processing: 20 years of research. (1998)Affective Influences on Judgments and Behavior in Organizations: An Information Processing Perspective (2001)Marriage by Correspondence: Politics and Domesticity in the Letters of Isabella d’Este and Francesco Gonzaga, 1490–1519 (2012)Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 (2015)Shakespeare's Domestic Tragedies (2019)Senses of place: architectural design for the multisensory mind (2020)Immersive Digital Tourism: The Role of Multisensory Cues in Digital Museum Experiences (2021)A review of the effects of architectural stimuli on human psychology and physiology (2022)A ‘monster with human visage’: The orangutan, savagery, and the borders of humanity in the global Enlightenment (2019)Catalogues for an entropic collection: losses, gains and disciplinary exhaustion in the Hunterian Museum, Glasgow (2019)Contact zones: Multispecies scholarship through Imperial Eyes (2019)Tourism as experience (1998)Using the contextual model of learning to understand visitor learning from a science center exhibition (2005)Virtual museums, a survey and some issues for consideration (2009)Expert and adolescent interpretive approaches in a national art museum (2014)Let's keep in touch : conversations about access and tactility. (2016)A Curatorial Guide to Museum Sound Design (2019)
this work references cited by second hop

References

  • 1992Museums and the Shaping of Knowledge947 cited
  • 2017The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space160 cited
  • 2017Collecting the World109 cited
  • 2006The cabinet of Eros: Renaissance mythological painting and the studiolo of Isabella d'Este96 cited
  • 1985Isabella d'Este and Lucrezia Borgia as Patrons of Music: The Frottola at Mantua and Ferrara82 cited
  • 2014Sound in museums – museums in sound56 cited
  • 2015The sound of music heritage: curating popular music in music museums and exhibitions38 cited
  • 2016Museums and Silent Objects: Designing Effective Exhibitions20 cited

Cited by

  • 2021Mapping Sonic Practices in Museum Exhibitions – An Overview5 cited
  • 2024The Influence of Interpretational Background Music on Visitor Experience: An Eye-Tracking Study on a Virtual Art Exhibition2 cited
  • 2024Communicating Through Sound in Museums: A Genre‐Based Framework2 cited
  • 2026Could Noise Become Beneficial? The Effect of Ambient Noise on Virtual Museum Engagement and Behavioural Intention2 cited
  • 2026The Multimodal Sensory Perception of Museum Environments: A Qualitative Case Study on the Visual and Haptic Museum Atmosphere in Istanbul2 cited
  • 2024Perspectives of Sound: Promoting Social Inclusion Under the Principle of “Access for All” in Museums

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1 cited