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The Wiz Redux; or, Why Queer Black Feminist Spectatorship and Politically Engaged Popular Entertainment Continue to Matter
16 references·0 citing·35 second hop
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References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1981The Negro Family: The Case for National Action2,341 cited
  • 2005Black sexual politics: African Americans, gender, and the new racism1,947 cited
  • 1980Black Macho and the Myth of the Superwoman.751 cited
  • 1968The Black Arts Movement324 cited
  • 2001Flaming classics: queering the film canon273 cited
  • 2006Media reception studies249 cited
  • 2003A problem like Maria: gender and sexuality in the American musical140 cited
  • 2012The Feminist Spectator as Critic113 cited
  • 1996Queer Black Feminism: The Pleasure Principle63 cited
  • 1988Black pearls: blues queens of the 1920s61 cited
  • 1990Black Musical Theatre: From Coontown to Dreamgirls.46 cited
  • 2011Changed for Good: A Feminist History of the Broadway Musical42 cited
  • 2015Oz and the musical: The American art form and the reinvention of the American fairy tale17 cited
  • 1987Black Theatre in the 1960s and 1970s: A Historical-Critical Analysis of the Movement.13 cited
  • 2002Motown: Music, Money, Sex, and Power

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