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“The longer we heard, the more we looked” Music at the Victoria and Albert Museum
5 references·2 citing·21 second hop
“The longer we heard, the more we looked” Music at the Victoria and Albert Museum (2019)“The longer we heard, the more we looked”…The Curatorial Practices of Exhibiting Popular Music in Portugal at the Beginning of the Twenty-First Century: An Overview (2015)The Curatorial Practices of E…A Companion to Museum Studies (2006)A Companion to Museum StudiesNew Museum Theory and Practice, An Introduction (2005)New Museum Theory and Practic…Hearing Cultures : Essays on Sound, Listening, and Modernity (2004)Hearing Cultures : Essays on …Gottfried Semper: architect of the nineteenth century (1996)Gottfried Semper: architect o…Interfacing with history: curating with audio augmented objects (2024)Interfacing with history: cur…Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study (2022)Collecting and Exhibiting Tra…Exhibiting Cultures: The Poetics and Politics of Museum Display. (1992)The Audible Past (2003)Music as social life: the politics of participation (2009)Communicating Through Sound in Museums: A Genre‐Based Framework (2024)Convention concerning the protection of the world cultural and natural heritage (1973)Audio Culture: Readings in Modern Music (2004)The Convention for the Safeguarding of the Intangible Cultural Heritage (2018)Interaction Analysis: Foundations and Practice (1995)Using thematic analysis in psychology (2006)Articulating the visitor in public knowledge institutions (2012)Making space for co-creation: heritage attractions that host contemporary art (2020)The China museum visit boom: Government or demand driven? (2021)Doing anthropology in sound (2004)Soundscapes: Toward a Sounded Anthropology (2010)Exploring the conceptualization of the sensory dimension of tourist experiences (2013)THE DEVIL IS IN THE DETAIL: Museum Displays and the Creation of Knowledge (2010)The museum as assemblage: bringing forth affect at the Australian War Memorial (2014)Changes and Challenges in Museum Management after the COVID-19 Pandemic (2021)The Architecture of Jewish Identity: The Neo-Islamic Central Synagogue of New York (2004)The Materiality of Enchantment: Rethinking Neapolitan Marble Intarsia (2018)Music and the Sonorous Sublime in European Culture, 1680–1880 (2020)
this work references cited by second hop

References

  • 2004Hearing Cultures : Essays on Sound, Listening, and Modernity454 cited
  • 2005New Museum Theory and Practice, An Introduction179 cited
  • 1996Gottfried Semper: architect of the nineteenth century76 cited
  • 2006A Companion to Museum Studies17 cited
  • 2015The Curatorial Practices of Exhibiting Popular Music in Portugal at the Beginning of the Twenty-First Century: An Overview6 cited

Cited by

  • 2024Interfacing with history: curating with audio augmented objects1 cited
  • 2022Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study1 cited

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