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Baroque andBildungin the Creative Practice and Personal Style of Karl Lagerfeld – Towards a Biographical Reinstatement of the Individual Designer
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Baroque andBildungin the Creative Practice and Personal Style of Karl Lagerfeld – Towards a Biographical Reinstatement of the Individual Designer (2019)Baroque andBildungin the Creative Practic…Fashion-ology (2018)Fashion-ologyTheoretical Discussions of Biography. Approaches from History, Microhistory, and Life Writing (2014)Theoretical Discussions of Bi…Biography and History (2010)Biography and HistoryBiography (2009)BiographyNeo-Baroque Aesthetics and Contemporary Entertainment (2004)Neo-Baroque Aesthetics and Co…Fashion at the edge : spectacle, modernity and deathliness (2003)Fashion at the edge : spectac…The Practice of Conceptual History (2002)The Practice of Conceptual Hi…Camp grounds: style and homosexuality (1994)Camp grounds: style and homos…Wilhelm Von Humboldt: The Theory and Practice of Self-Formation (Bildung), 1791-1810 (1983)Wilhelm Von Humboldt: The The…The Object of Art: The Theory of Illusion in Eighteenth-Century France (1983)The Object of Art: The Theory…The Classic Is the Baroque: On the Principle of Wölfflin's Art History (1982)The Classic Is the Baroque: O…The Social Production of Art (1981)The Social Production of ArtThe German Tradition of Self-Cultivation: “Bildung” from Humboldt to Thomas Mann (1975)The German Tradition of Self-…Historism. The Rise of a New Historical Outlook. (1974)Historism. The Rise of a New …Renaissance and Baroque (1969)Renaissance and BaroquePrinciples of art history : the problem of the development of style in later art (1950)Principles of art history : t…Managing corporate image and identity (1995)Is Your Product on the Right Side? The “Location Effect” on Perceived Product Heaviness and Package Evaluation (2009)Rebels with a Cause: Formation, Contestation, and Expansion of the De Novo Category “Modern Architecture,” 1870–1975 (2011)Materializing Memory in Art and Popular Culture (2016)The Poetics of Waste: Contemporary Fashion Practice in the Context of Wastefulness (2016)New materialism: A theoretical framework for fashion in the age of technological innovation (2018)Goethe's Morphology: Urphänomene and Aesthetic Appraisal (2002)The Cambridge History of Nineteenth-Century Political Thought (2011)Learning factories for future oriented research and education in manufacturing (2017)Classification in Art (1987)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)The Cambridge History of Literary Criticism (1997)From Mercenary to Citizen Armies: Explaining Change in the Practice of War (2000)Hermeneutics and the Human Sciences (2019)Questioning two myths in innovation literature (2009)FROM PISA TO EDUCATIONAL STANDARDS: THE IMPACT OF LARGE-SCALE ASSESSMENTS ON SCIENCE EDUCATION IN GERMANY (2010)In Defence of Ubuntu (2011)Crisis and Chronicity: Anthropological Perspectives on Continuous Conflict and Decline (2008)Land, terrain, territory (2010)Regularity in semantic change (2024)Life Story Talk: Some Reflections on Narrative in Qualitative Interviews (2013)Experiments in Life-Writing: Introduction (2017)Afterlives of the Roman Poets (2019)The bone in the throat: some uncertain thoughts on baroque method (2006)“The Rule of Anthropophagy: Europe under the Sign of Devoration” (1981) (2010)Narrative Complexity in Contemporary American Television (2012)Comedy as cure for tragedy: Act up and the rhetoric of aids (1996)Gay and Lesbian Language (2000)Sex Positive: Feminism, Queer Theory, and the Politics of Transgression (2000)
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References

  • 2002The Practice of Conceptual History1,187 cited
  • 1981The Social Production of Art662 cited
  • 1950Principles of art history : the problem of the development of style in later art370 cited
  • 1994Camp grounds: style and homosexuality353 cited
  • 2004Neo-Baroque Aesthetics and Contemporary Entertainment275 cited
  • 1974Historism. The Rise of a New Historical Outlook.266 cited
  • 2009Biography155 cited
  • 1983Wilhelm Von Humboldt: The Theory and Practice of Self-Formation (Bildung), 1791-1810155 cited
  • 1975The German Tradition of Self-Cultivation: “Bildung” from Humboldt to Thomas Mann141 cited
  • 2003Fashion at the edge : spectacle, modernity and deathliness108 cited
  • 2010Biography and History97 cited
  • 1969Renaissance and Baroque91 cited
  • 1983The Object of Art: The Theory of Illusion in Eighteenth-Century France74 cited
  • 2018Fashion-ology69 cited
  • 2014Theoretical Discussions of Biography. Approaches from History, Microhistory, and Life Writing64 cited
  • 1982The Classic Is the Baroque: On the Principle of Wölfflin's Art History

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