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Le heavy metal comme cas limite
11 references·0 citing·45 second hop
Le heavy metal comme cas limite (2019)Le heavy metal comme cas limitePuissance, force et musique metal Quand les filles s’approprient les codes de la masculinité (2016)Puissance, force et musique m…Heavy Metal, Gender and Sexuality (2016)Heavy Metal, Gender and Sexua…Hellfest: The thing that should not be? (2012)Hellfest: The thing that shou…Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 (2011)Heavy Genealogy: Mapping the …Metal Music and Mental Health in France (2009)Metal Music and Mental Health…Les Scènes métal (2006)Les Scènes métal« Aspects du death metal ». Affect, objet et vécu social de la musique (2006)« Aspects du death metal ». A…« Honnie soit la Oi ! » Naissance, émergence et déliquescence d’une forme de protestation sociale et musicale (2003)« Honnie soit la Oi ! » Naiss…Quand la musique de fond entre en action (2001)Quand la musique de fond entr…"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)"Anything But Heavy Metal": S…Characterizing Rock Music Cultures: The Case of Heavy Metal (1984)Characterizing Rock Music Cul…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Music Scenes (2004)Resistance Through Rituals (2006)Représentations et usages sociaux de la musique metal (2015)Le Hellfest, un espace de violences ritualisées (2018)Le rôle d’intermédiation des activités entrepreneuriales du middleground dans la circulation des idées créatives. Le cas du krautrock1 (2021)Subculture: The Meaning of Style (1995)Penser les dynamiques politiques des musiques populaires : communalisations, affects et tactiques populaires (2016)Le lien entre préférences musicales et attitudes politiques au Québec (2021)Running with the devil: power, gender, and madness in heavy metal music (1993)Le partage du sensible (2000)Le spectateur émancipé (2008)Outline of a Theory of Practice. (1980)Culture in Action: Symbols and Strategies (1986)An Invitation to Reflexive Sociology. (1993)Culture in Interaction (2003)Moral Views of Market Society (2007)Reconsidering Culture and Poverty (2010)Emotion Work, Feeling Rules, and Social Structure (1979)The De-scription of Technical Objects (1992)Faire le jazz: La coproduction de l'experience esthetique dans un jazz-club (2002)Music, Ritual and Community among Romania’s Orthodox Pilgrimages (2015)The Archaeology of Knowledge. (1974)Textual poachers : television fans & participatory culture (1992)The Cultural Studies Reader (1993)Depending on music to feel better: Being conscious of responsibility when appropriating the power of music (2013)Explaining the naming of heavy metal from rock’s ‘Back Pages’: A dialogue with Deena Weinstein (2015)Putting the ‘studies’ back into metal music studies (2018)The Hospital Anxiety and Depression Scale (1983)Distinction: A Social Critique of the Judgement of Taste. (1985)Contextualising the relationship between music, emotions and the well-being of young people: A critical interpretive synthesis (2016)Contextualizing the mental health of metal youth: A community for social protection, identity, and musical empowerment (2018)Distinction: A Social Critique of the Judgement of Taste* (2018)Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence (2022)Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry (1977)Music video in its contexts: popular music and post-modernism in the 1980s (1988)Voracious Souls (2016)Rock and Sexuality (2017)Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980–91: Part one 1980–851 (2020)Performing Rites (1996)Masculinity and skill acquisition in the adolescent rock band (1999)'Hard and Heavy': Gender and Power in a heavy metal music subculture (2000)‘The rage of the Northmen’: Extreme metal and North-motivated violence (2018)The New Metal Men: Exploring Model of Flexible Masculinity in the Bandung Metal Scene (2020)Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs (2023)
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References

  • 1996"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes1,087 cited
  • 2011Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010105 cited
  • 1984Characterizing Rock Music Cultures: The Case of Heavy Metal79 cited
  • 2016Heavy Metal, Gender and Sexuality78 cited
  • 2009Metal Music and Mental Health in France36 cited
  • 2006Les Scènes métal26 cited
  • 2016Puissance, force et musique metal Quand les filles s’approprient les codes de la masculinité11 cited
  • 2003« Honnie soit la Oi ! » Naissance, émergence et déliquescence d’une forme de protestation sociale et musicale11 cited
  • 2001Quand la musique de fond entre en action11 cited
  • 2012Hellfest: The thing that should not be?9 cited
  • 2006« Aspects du death metal ». Affect, objet et vécu social de la musique6 cited

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