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Looking at the big motifs: A typology of the central band decorations of the Lapita ceramic tradition of New Caledonia (Southern Melanesia) and preliminary regional comparisons

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References

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2000The specificities of the ‘Southern Lapita Province’: the New Caledonian case38 cited
1998Excavations at Kainapirina (SAC), Watom Island, Papua New Guinea37 cited
2001Evolutions in the Lapita Cultural Complex: a view from the Southern Lapita Province35 cited
1967A contribution to the prehistory of the Tongan Islands33 cited
2005Meanings of a Lapita Face: Materialized Social Memory in Ancient House Societies30 cited
2007Deciphering the Lapita Code: the Aitape Ceramic Sequence and Late Survival of the ‘Lapita Face’

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1998A pottery pit at locality WKO013A, Lapita (New Caledonia)27 cited

Cited by

2017Tattooing tools and the Lapita cultural complex16 cited
2011Oceanic Tattooing and the Implied Lapita Ceramic Connection15 cited
2009The meaning and importance of the Lapita face motif14 cited
2019Measuring social distances with shared Lapita motifs: Current results and challenges13 cited
2019Lapita to Post-Lapita transition: Insights from the chemical analysis of pottery from the sites of Teouma, Mangaasi, Vao and Chachara, Vanuatu5 cited