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Dance, Music Videos and Screens: Intermediality andVideochoreomorphosisin Mali and Benin
16 references·2 citing·42 second hop
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this work references cited by second hop

References

  • 1998Communities of Practice23,452 cited
  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 2001Mande music: traditional and modern music of the Maninka and Mandinka of western Africa211 cited
  • 2012Music and globalization: critical encounters171 cited
  • 2008Rumba Rules124 cited
  • 2014The Oxford Handbook of Dance and the Popular Screen108 cited
  • 2007Youtube: Where Cultural Memory and Copyright Converge97 cited
  • 1992The jukebox of history: narratives of loss and desire in the discourse of country music95 cited
  • 2013Transnational circulation and digital fatigue in Ghana's Azonto dance craze79 cited
  • 2010COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD75 cited
  • 2002Roots in Reverse: Cubanismo in Twentieth-Century Senegalese Music73 cited
  • 2006Salsa and Its Transnational Moves70 cited
  • 2015Bamako Sounds67 cited
  • 2013DANCE CIRCLES56 cited
  • 2003Dance on Screen: Genres and Media from Hollywood to Experimental Art

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49 cited

Cited by

  • 2020Dancing salsa in Benin: Connecting the Creole Atlantic4 cited
  • 2019Transpolitanisme, mobilités et appropriation : danser la salsa en Afrique de l’Ouest (Bénin/Ghana)2 cited