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From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal
16 references·2 citing·31 second hop
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References

  • 1986The Invention of Tradition7,087 cited
  • 2013– The Symbolic Construction of Community1,837 cited
  • 1994The Established and the Outsiders1,065 cited
  • 1999The historical performance of music: an introduction88 cited
  • 2003A Portrait of Mendelssohn87 cited
  • 2012The Globalization of Metal78 cited
  • 1993Tempo and Character in Beethoven's Music68 cited
  • 2019The formation of the West German power metal scene and the question of a ‘Teutonic’ sound60 cited
  • 2011Versuch über die wahre Art das Clavier zu spielen47 cited
  • 1948"Hot" Rhythm in Negro Music43 cited
  • 1989Forbidden Fruit? Jazz in the Third Reich34 cited
  • 2008German symbolism in rock music: national signification in the imagery and songs of Rammstein16 cited
  • 1943The History of Music in Performance15 cited
  • 2013Transnationale Teutonen: Rammstein Representing the Berlin Republic13 cited
  • 2014“Fun Fun Fun on the Autobahn”: Kraftwerk Challenging Germanness10 cited
  • 2009Kraftwerk: Language, Lucre, and Loss of Identity9 cited

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Cited by

  • 2021Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers7 cited
  • 2021The Politics of Rammstein’s Sound3 cited