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This essay argues that medieval bestiaries are dependent on and best understood through a process of rhetorical hermeneutics indebted to Augustine’s theory of interpretation. The essay suggests that texts such as the Aberdeen Bestiary leverage the instability of allegorical and the clarity of tropological representation to blur the line between human and nonhuman, encouraging the reader to reflect on predatory human-animal relationships and act to reduce actions that impact the natural world.
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Stored only when both papers are in the corpus — 2 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.