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Training the analytical eye: video annotation for dance
8 references·0 citing·22 second hop
Training the analytical eye: video annotation for dance (2019)Training the analytical eye: video annota…Documenting performance: the context and processes of digital curation and archiving (2017)Documenting performance: the …Used Books (2008)Used BooksUsed Books: Marking Readers in Renaissance England (2007)Used Books: Marking Readers i…Documentation, disappearance and the representation of live performance (2007)Documentation, disappearance …Digital Performance (2007)Digital PerformanceMarginalia: readers writing in books (2001)Marginalia: readers writing i…Dance Notation, the Process of Recording Movement on Paper (1986)Dance Notation, the Process o…The Interpretation of Cultures: Selected Essays. (1975)The Interpretation of Culture…The First Literary Hamlet and the Commonplacing of Professional Plays (2008)The Rise of Prison Literature in the Sixteenth Century (2013)Domesticating the Reformation: Material Culture, Memory, and Confessional Identity in Early Modern England (2016)The Temporality of the Landscape Revisited (2016)Still Shakespeare and the Photography of Performance (2019)Choreography Invisible (2020)The electronic sketch book of Tibetan Thangka painting (1989)Notation Systems as Texts of Performative Knowledge (1999)Issues in Dance Reconstruction:Karaṇasas Dance Texts in a Cross-cultural Context (2004)Organizational Learning and Communities-of-Practice: Toward a Unified View of Working, Learning, and Innovation (1991)Qualitative Quality: Eight “Big-Tent” Criteria for Excellent Qualitative Research (2010)Learning by Expanding (2014)What is New, Here? Locating an Art Form Within the Western Australian New Music Archive (2017)Language documentation: a reference point for theatre and performance archives? (2018)Shakespeare, Spectatorship and the Technologies of Performance (2020)Collecting Knowledge for the Family: Recipes, Gender and Practical Knowledge in the Early Modern English Household (2013)A Shakespeare of one’s own: female users of playbooks from the seventeenth to the mid-eighteenth century (2017)Choreographic Objects (2013)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Reading Strategies for Coping With Information Overload ca.1550-1700 (2003)Becoming A/r/tography (2013)Bound to Read: Compilations, Collections, and the Making of Renaissance Literature (2013)
this work references cited by second hop

References

  • 1975The Interpretation of Cultures: Selected Essays.9,103 cited
  • 2007Digital Performance501 cited
  • 2001Marginalia: readers writing in books366 cited
  • 2008Used Books294 cited
  • 2007Used Books: Marking Readers in Renaissance England177 cited
  • 1986Dance Notation, the Process of Recording Movement on Paper89 cited
  • 2007Documentation, disappearance and the representation of live performance64 cited
  • 2017Documenting performance: the context and processes of digital curation and archiving24 cited

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