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On Rigour in Theatre Audience Research
3 references·4 citing·27 second hop
On Rigour in Theatre Audience Research (2019)On Rigour in Theatre Audience ResearchI Have Seen the Future and It Is Not Here Yet …; or, On Being Ambitious for Audience Research (2006)I Have Seen the Future and It…British Cultural Studies: An Introduction (1993)British Cultural Studies: An …Reception study: Ethnography and the problems of dispersed audiences and nomadic subjects (1988)Reception study: Ethnography …Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience (2022)Exhibition curation as practi…Engagement: The new paradigm for audience research (2021)Engagement: The new paradigm …Building new publics: using agile, community-engaged, and applied theatre methodologies as social intervention in audience research (2021)Building new publics: using a…Understanding Audiences: A Critical Review of Audience Research (2019)Understanding Audiences: A Cr…The Dominant Ideology Thesis. (1981)The Dominant Ideology Thesis (1982)Audiences: A Sociological Theory of Performance and Imagination (1998)Modes of Reception: A Consolidated Analytical Framework (2007)Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance (2010)Q Methodology in Audience Research: Bridging the Qualitative/Quantitative 'Divide'? (2011)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Club cultures: music, media and subcultural capital (1996)5. The Practice of Everyday Life (2000)Music in Everyday Life (2000)On the Mediation of Everything: ICA Presidential Address 2008 (2009)Selections from the prison notebooks (2020)Dramas, Fields, and Metaphors: Symbolic Action in Human Society (1975)From ritual to theatre : the human seriousness of play (1982)From Ritual to Theatre: The Human Seriousness of Play (1983)A Thousand Plateaus: Capitalism and Schizophrenia (1989)From The Emancipated Spectator (2025)The Structure of Scientific Revolutions (1963)Customer Engagement (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)We must talk: audience pluralisation as a regenerative path to the management of cultural disagreement (2025)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Performing the Museum (2001)The Performativity of Performance Documentation (2006)Discourse analysis: a new methodology for understanding the ideologies of health and illness (1992)Why Media Matter: Toward a Richer Understanding of Consumers' Relationships with Advertising and Mass Media (1997)Understanding Alternative Media (2007)
this work references cited by second hop

References

  • 1993British Cultural Studies: An Introduction683 cited
  • 1988Reception study: Ethnography and the problems of dispersed audiences and nomadic subjects329 cited
  • 2006I Have Seen the Future and It Is Not Here Yet …; or, On Being Ambitious for Audience Research86 cited

Cited by

  • 2021Building new publics: using agile, community-engaged, and applied theatre methodologies as social intervention in audience research9 cited
  • 2021Engagement: The new paradigm for audience research9 cited
  • 2019Understanding Audiences: A Critical Review of Audience Research7 cited
  • 2022Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience2 cited

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