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Why Does Copyright Ignore Performers? The Case of Flamenco in Spain
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References

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  • 1968The Discovery of Grounded Theory; Strategies for Qualitative Research39,440 cited
  • 2006Constructing grounded theory : a practical guide through qualitative analysis18,720 cited
  • 2006Constructing Grounded Theory. A Practical Guide Through Qualitative Analysis11,828 cited
  • 1994Value in ethics and economics1,682 cited
  • 2001Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity657 cited
  • 1989An Economic Analysis of Copyright Law584 cited
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  • 2003Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us?380 cited
  • 2003Contracts Between Art and Commerce323 cited
  • 1999Popular Appeal Versus Expert Judgments of Motion Pictures323 cited
  • 2005The Economics of Real Superstars: The Market for Rock Concerts in the Material World322 cited
  • 2005Rockonomics: The Economics of Popular Music201 cited
  • 2010A Textbook of Cultural Economics180 cited
  • 2019A Textbook of Cultural Economics172 cited

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  • 2014Legitimacy, Validity, and Writing for Free: Fan Fiction, Gender, and the Limits of (Unpaid) Creative Labor118 cited
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