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Dressing Modern Frenchwomen: Marketing Haute Couture, 1919–1939
0 references·3 citing·13 second hop
Dressing Modern Frenchwomen: Marketing Haute Couture, 1919–1939 (2008)Dressing Modern Frenchwomen: Marketing Ha…Semiotics of White Spaces on the Romanian Traditional Blouse, the IA (2017)Semiotics of White Spaces on …Relational style: Craft as social identity in Australian fashion (2012)Relational style: Craft as so…Creative Industries in History (2011)Creative Industries in HistoryThe field of cultural production, or: The economic world reversed (1983)Optimal experience: Psychological studies of flow in consciousness. (1988)Creative industries: contracts between art and commerce (2000)Creating a creative industry: Australian advertising agencies in the 1960s–1970s (2016)Supplying Woolens for Cristóbal Balenciaga: A Comparative Analysis of the Commercial Strategies of Garigue and Agnona (1947–1968) (2021)Creative Industries in India (2022)Fashion, Culture, and Identity (1992)Mythscapes: memory, mythology, and national identity (2003)Relational aesthetics (2011)Re-Engineering Nubi : A Design-Driven Approach to Cultural Sustainability in Korean Fashion/Textile Practice (2024)Universe of the Mind: A Semiotic Theory of Culture (1993)Colour as a semiotic mode: notes for a grammar of colour (2002)How Nothing Became Something: White Space, Rhetoric, History, and Meaning (2006)
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  • 2011Creative Industries in History17 cited
  • 2012Relational style: Craft as social identity in Australian fashion2 cited
  • 2017Semiotics of White Spaces on the Romanian Traditional Blouse, the IA2 cited

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