Face and Mask: A Double History

Abstract

Introduction: Defining the Subject 1 I and Mask: Changing Views 1 Facial Expression, Masks of the Self, and Roles of the 17 2 The Cult Origin of the Mask 32 3 Masks in Colonial Museums 42 4 and Mask in the Theater 48 5 From the Study of the to Brain Research 63 6 Nostalgia for the and the Death Mask in Modernity 77 7 Eulogy for the Face: Rilke and Artaud 84 II Portrait and Mask: The as Representation 8 The European Portrait as Mask 91 9 and Skull: Two Opposing Views 106 10 The Real Face of the Icon and the Similar Face 118 11 The Record of Memory and the Speech Act of the 126 12 Rembrandt's Self-Portraiture: Revolt against the Mask 135 13 Silent Screams in the Glass Case: The Set Free 150 14 Photography and Mask: Jorge Molder's Own Alien 157 III Media and Masks: The Production of Faces 15 The Consumption of Media Faces 175 16 Archives: Controlling the Faces of the Crowd 192 17 Video and Live Image: The Flight from the Mask 205 18 Ingmar Bergman and the in Film 211 19 Overpainting and Replicating the Face: Signs of Crisis 221 20 Mao's Face: State Icon and Pop Idol 229 21 Cyberfaces: Masks without Faces 239 Acknowledgments 247 Notes 249 Literature Cited 263 Index of Names 267

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