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Who remembers post-punk women?
16 references·0 citing·39 second hop
Who remembers post-punk women? (2019)Who remembers post-punk women?The Connected Lives of Dutch Punks: Contesting Subcultural Boundaries (2017)The Connected Lives of Dutch …‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock (2017)‘It’s a man’s man’s man’s wor…Never Mind the Pistols? The Legacy and Authenticity of the Sex Pistols in Portugal (2015)Never Mind the Pistols? The L…Rock Against Gender Roles: Performing Femininities and Doing Feminism Among Women Punk Performers in the Netherlands, 1976-1982 (2012)Rock Against Gender Roles: Pe…The Semiotics of Collective Memories (2010)The Semiotics of Collective M…Totally Wired: Post-Punk Interviews and Overviews (2009)Totally Wired: Post-Punk Inte…Gender in the music industry: rock, discourse, and girl power (2008)Gender in the music industry:…The Lost Women of Rock Music: Female Musicians of the Punk Era (2007)The Lost Women of Rock Music:…Rip It Up and Start Again (2005)Rip It Up and Start AgainThe Raincoats: breaking down punk rock's masculinities (2003)The Raincoats: breaking down …Narratives of Gender, Class, and Modernity in Women's Memories of Mid‐Twentieth Century Britain (2002)Narratives of Gender, Class, …Finding Meaning in Memory: A Methodological Critique of Collective Memory Studies (2002)Finding Meaning in Memory: A …Popular Music and Youth Culture: Music, Identity, and Place (2001)Popular Music and Youth Cultu…The cultural turn : selected writings on the postmodern, 1983-1998 (1998)The cultural turn : selected …Fifty Years On: An International Perspective on Oral History (1998)Fifty Years On: An Internatio…Subcultural identity in alternative music culture (1993)Subcultural identity in alter…Subculture: The Meaning of Style (1995)Club cultures: music, media and subcultural capital (1996)Creating Country Music (1997)I wanna be your punk: o universo de possíveis do punk, do D.I.Y. e das culturas underground (2017)The Social Place of the Portuguese Punk Scene: an Itinerary of the Social Profiles of its Protagonists (2017)Iberian Punk, Cultural Metamorphoses, and Artistic Differences in the Post-Salazar and Post-Franco Eras (2020)Outline of a Theory of Practice (1977)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)Change in and through practice: Pierre Bourdieu, Vincent Pouliot, and the end of the Cold War (2015)Ancestral Knowledge Systems: A conceptual framework for decolonizing research in social science (2016)How Generations Remember (2016)The Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-Making in an English Town. (1990)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Beyond geography's visible worlds: a cultural politics of music (1997)MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES (2002)The Mediated Performance of Vernaculars (2009)Key themes in media theory (2007)A Critique of the Discourse of Marketized Philanthropy (2009)The double helix of cultural assimilationism and neo‐liberalism: citizenship in contemporary governmentality (2010)Making the Most of Memories: The Empirical and Subjective Value of Oral History (1999)Palestinian Autobiographical Memory Regarding the 1948 Palestinian Exodus (2011)Narrative, metaphor and the subjective understanding of historic identity transition (2016)The Dynamics of Brand Legitimacy: An Interpretive Study in the Gay Men's Community: Table 1 (2004)Towards a psychology of collective memory (2008)A sense of self-perceived collective victimhood in intractable conflicts (2009)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)Changing times, changing perspectives: Reconciling ‘transition’ and ‘cultural’ perspectives on youth and young adulthood (2011)Le DIY comme dynamique contre-culturelle ? (2012)“Luring Disco Dollies to a Life of Vice”: Queer Pop Music's Moment (2013)Teaching and Learning Popular Music in Higher Education Through Interdisciplinary Collaboration: Practice What You Preach (2015)Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture (2011)Shot By Both Sides: Punk, Politics and the End of ‘Consensus’ (2012)The Expansion of Punk Rock: Riot Grrrl Challenges to Gender Power Relations in British Indie Music Subcultures (2012)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia (2015)The Cambridge History of Music Criticism (2019)
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References

  • 2002Finding Meaning in Memory: A Methodological Critique of Collective Memory Studies1,167 cited
  • 1998The cultural turn : selected writings on the postmodern, 1983-1998901 cited
  • 2001Popular Music and Youth Culture: Music, Identity, and Place282 cited
  • 2008Gender in the music industry: rock, discourse, and girl power218 cited
  • 1993Subcultural identity in alternative music culture159 cited
  • 1998Fifty Years On: An International Perspective on Oral History109 cited
  • 2007The Lost Women of Rock Music: Female Musicians of the Punk Era105 cited
  • 2010The Semiotics of Collective Memories93 cited
  • 2005Rip It Up and Start Again43 cited
  • 2015Never Mind the Pistols? The Legacy and Authenticity of the Sex Pistols in Portugal36 cited
  • 2009Totally Wired: Post-Punk Interviews and Overviews33 cited
  • 2017‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock30 cited
  • 2003The Raincoats: breaking down punk rock's masculinities30 cited
  • 2002Narratives of Gender, Class, and Modernity in Women's Memories of Mid‐Twentieth Century Britain29 cited
  • 2012Rock Against Gender Roles: Performing Femininities and Doing Feminism Among Women Punk Performers in the Netherlands, 1976-1982

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  • 2017The Connected Lives of Dutch Punks: Contesting Subcultural Boundaries8 cited
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