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Corvus Corax: medieval rock, the minstrel, and cosmopolitanism as anti-nationalism
16 references·0 citing·29 second hop
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References

  • 2018The Origins of Totalitarianism5,173 cited
  • 2001Wanderlust: A History of Walking978 cited
  • 1981‘The magic that can set you free’: the ideology of folk and the myth of the rock community243 cited
  • 2003Music and German National Identity192 cited
  • 1983Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century167 cited
  • 2000Composers of the Nazi era: eight portraits77 cited
  • 1999Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich71 cited
  • 2004The Gothic Text58 cited
  • 1986The Gothic Imagination: Expansion in Gothic Literature and Art52 cited
  • 2000Burying the Past: Carl Orff and His Brecht Connection18 cited
  • 2016Early Twentieth-Century Operetta from the German Stage: A Cosmopolitan Genre17 cited
  • 2008German symbolism in rock music: national signification in the imagery and songs of Rammstein16 cited
  • 2010Thomas Binkley and the Studio der Fruhen Musik: challenging 'the myth of Westernness'13 cited
  • 2013Transnationale Teutonen: Rammstein Representing the Berlin Republic13 cited
  • 1964Der fahrende Musiker im europäischen Mittelalter. Walter Salmen. Johann Philipp Hinnenthal-Verlag, Kassel, 1960.) 244 pp.

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13 cited
  • 2017German Pop Music12 cited
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