SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The scenographic, costumed chorus, agency and the performance of matter: A new materialist approach to costume
0 references·6 citing·16 second hop
The scenographic, costumed chorus, agency and the performance of matter: A new materialist approach to costume (2019)The scenographic, costumed chorus, agency…Unfolding a vision embedded in a garment: Three tools from a toolbox for generating performance from costume design (2021)Unfolding a vision embedded i…Thinking with costume and material: a critical approach to (new) costume ecologies (2021)Thinking with costume and mat…Critical Costume 2020: Investigating costume agency (2021)Critical Costume 2020: Invest…Designing of children’s stage costume using bionic objects (2020)Designing of children’s stage…Cuttlefish – performing body (2020)Cuttlefish – performing bodyCostume and ethics: Reflections on past, present and future entanglements (2020)Costume and ethics: Reflectio…New Materialisms and Performance Studies (2015)From Human Rights to Feminist Ethics: Radical Empathy in the Archives (2016)Costume as an agent for ethical praxis (2020)Designed for dance: The costumes of leon bakst and the art of Isadora Duncan (1990)Designing for Movement: Dance Costumes, Art Schools and Natural Movement in the Early Twentieth Century (2015)Role of the "Green" Philosophy and Bionics on the Development of EcoDesign Clothing (2019)Dressing wearing : Movement directed by dress - dress directed by movement (2016)Costumographic synergy: Devising the costume performance (2022)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Meeting the Universe Halfway (2007)Vibrant Matter (2010)The Lioness of African Music: Cultural Interpretation of Wiyaala’s Stage Costume Art (2023)The active white coats: a costume studies approach to the performance of medicine in Life Matters (2019) (2025)The phenomenon of creative images of Dimash Qudaibergen in the context of sustainable development of the cultural values of Kazakhstan (2025)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Toward a Theory of Social Practices (2002)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2021Thinking with costume and material: a critical approach to (new) costume ecologies18 cited
  • 2021Unfolding a vision embedded in a garment: Three tools from a toolbox for generating performance from costume design13 cited
  • 2020Costume and ethics: Reflections on past, present and future entanglements10 cited
  • 2021Critical Costume 2020: Investigating costume agency8 cited
  • 2020Designing of children’s stage costume using bionic objects4 cited
  • 2020Cuttlefish – performing body3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work