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Signifyin(g) within African American Classical Music: Linking Gates, Hip‐Hop, and Perkinson
16 references·0 citing·33 second hop
Signifyin(g) within African American Classical Music: Linking Gates, Hip‐Hop, and Perkinson (2019)Signifyin(g) within African American Clas…3. The Fine Art of Rap (2018)3. The Fine Art of RapRing Shout! Literary Studies, Historical Studies, and Black Music Inquiry (2002)Ring Shout! Literary Studies,…"Feeling My Way": Jazz Improvisation and Its Vicissitudes-A Plea for Imperfection (2000)"Feeling My Way": Jazz Improv…The Power of Black Music: Interpreting its History from Africa to the United States. (1997)The Power of Black Music: Int…The Power of Black Music (1997)The Power of Black MusicOut of Notes: Signification, Interpretation, and the Problem of Miles Davis (1993)Out of Notes: Signification, …The Fine Art of Rap (1991)The Fine Art of RapRing Shout! Literary Studies, Historical Studies, and Black Music Inquiry (1991)Ring Shout! Literary Studies,…The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…Blues, Ideology, and Afro-American Literature: A Vernacular Theory (1987)Blues, Ideology, and Afro-Ame…Blues, Ideology, and Afro-American Literature (1984)Blues, Ideology, and Afro-Ame…The "Blackness of Blackness": A Critique of the Sign and the Signifying Monkey (1983)The "Blackness of Blackness":…Lexicon of Black English (1979)Lexicon of Black EnglishDeep Down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia. (1971)Deep Down in the Jungle: Negr…Deep down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia (1966)Deep down in the Jungle: Negr…The Myth of the Negro Past (1961)The Myth of the Negro PastJazz: Its Evolution and Essence (1956)Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 (1996)All Play and No Work: An Ontology of Jazz (2011)Big Ears: Listening for Gender in Jazz Studies (2020)The logical status of fictional discourse (1979)The Value of Narrativity in the Representation of Reality (1980)The Narrativization of Real Events (1981)A Medley of Voices: Zora Neale Hurston’s Their Eyes Were Watching God (1990)Humor in African American Discourse (1998)Laughing While Black: Resistance, Coping and the Use of Humor as a Pandemic Pastime among Blacks (2020)Modernism and the Harlem Renaissance (1987)Theorizing the Body in African-American Music (1994)New Orleans Music as a Circulatory System (2011)Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)The Place of World Englishes in Composition: Pluralization Continued (2006)Herskovits's Heritage: Rethinking Syncretism in the African Diaspora (1991)Syncretism and Its Synonyms: Reflections on Cultural Mixture (1999)Beyond Compare: Comparative Method after the Transnational Turn (2005)Riffs, Repetition, and Theories of Globalization (1999)The Rise of a Jazz Art World (2002)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)African American English (2002)Literacy and Literacies (2003)Demonic Grounds: Black Women And The Cartographies Of Struggle (2006)“It's cookin' now”: A performance analysis of the speech events of a Black teacher in an urban community college (1989)Tradition: Three Traditions (2009)Indirectness and interpretation in African American women’s discourse (2015)Cultural Preference and the Expository Writing of African-American Adolescents (1992)A Culturally Based Cognitive Apprenticeship: Teaching African American High School Students Skills in Literary Interpretation (1995)The Language of Life and Death: The Transformation of Experience in Oral Narrative (2013)Improvisation and Social Aesthetics (2017)Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin’s Music (2021)
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References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1984Blues, Ideology, and Afro-American Literature1,062 cited
  • 1961The Myth of the Negro Past811 cited
  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.330 cited
  • 1983The "Blackness of Blackness": A Critique of the Sign and the Signifying Monkey202 cited
  • 1971Deep Down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia.144 cited
  • 1991Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry99 cited
  • 2002Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry90 cited
  • 1993Out of Notes: Signification, Interpretation, and the Problem of Miles Davis89 cited
  • 1966Deep down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia78 cited
  • 1997The Power of Black Music69 cited
  • 1991The Fine Art of Rap61 cited
  • 2000"Feeling My Way": Jazz Improvisation and Its Vicissitudes-A Plea for Imperfection60 cited
  • 1979Lexicon of Black English47 cited
  • 20183. The Fine Art of Rap46 cited

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1987
Blues, Ideology, and Afro-American Literature: A Vernacular Theory
31 cited

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