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Cited by

• 1981The Aesthetics of Music401 cited
• 2007The Schenker Project152 cited
• 1995The so-called ‘flattened seventh’ in rock140 cited
• 2011Nineteenth-Century Fortunes of Musical Formalism49 cited
• 2015Developing and evaluating computational models of musical style33 cited
• 1997The #IV(bV) Hypothesis: Testing the Limits of Schenker's Theory of Tonality31 cited
• 2009Music theory and analysis27 cited
• 2013An Aspect of Functional Harmony in Schoenberg's Early Post‐Tonal Music8 cited
• 2012V ariation as T hematic A ctualisation : the C ase of B rahms 's O p . 97 cited
• 1989Schenkerian Theory7 cited
• 2019Music Theory on the Radio: Theme and Temporality in Hans Keller's First Functional Analysis6 cited
• 2023Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett6 cited