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Arnold Schoenberg Letters
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Arnold Schoenberg Letters (1965)Arnold Schoenberg LettersMagical Serialism: Modernist Enchantment in Elisabeth Lutyens'sO Saisons, O Châteaux! (2017)Magical Serialism: Modernist …Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…An Unlikely Synergy: Lou Harrison and Arnold Schoenberg (2009)An Unlikely Synergy: Lou Harr…Styles and languages around the turn of the century (2001)Styles and languages around t…Schoenberg's early Wagnerisms: Atonality and the redemption of Ahasuerus (1994)Schoenberg's early Wagnerisms…"Mein Weg geht jetzt vorüber": The Vocal Origins of Webern's Twelve-Tone Composition (1994)"Mein Weg geht jetzt vorüber"…Holst – Astrology and Modernism in ‘The Planets’ (1993)Holst – Astrology and Moderni…A Survivor of the Vienna Schoenberg Circle: an Interview With Paul A. Pisk (1985)A Survivor of the Vienna Scho…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern (1962)Style and Idea: Selected Writings of Arnold Schoenberg (1975)Schoenberg and the New Music (1988)In Schoenberg's Workshop: Aggregates and Referential Collections in "Die glückliche Hand" (1996)Redating Schoenberg’s Announcement of the Twelve-Tone Method: A Study of Recollections (2011)Cycles in Webern’s Late Music (2018)Schoenberg: a critical biography; (1971)Arnold Schoenberg Letters (1987)The Secret Doctrine (2011)A Map of Misreading (1976)The Jew's Body (1991)Feminine Endings: Music, Gender, and Sexuality (1992)Between opera and reality: the BarcelonaParsifal (1998)Schoenberg's Interior Designs (2008)New World, Old World: Schoenberg Now and Then (2015)The Structure of Atonal Music (1973)Stravinsky and the Russian Traditions (1996)Defining Russia Musically (1997)Introduction: trajectories of twentieth-century music (2004)Diverging from an established Greek musical nationalism: Aspects of modernism in the works of Dimitri Mitropoulos, Nikos Skalkottas, Dimitrios Levidis and Harilaos Perpessas, during the 1920s and 30s (2012)Scoring the Familiar and Unfamiliar in Howard Shore’s The Lord of the Rings (2018)Old Mistresses: Women, Art and Ideology (1982)Musical Symbolism in the Operas of Debussy and Bartok (2008)The Lessons of Arnold Schoenberg in Teaching the Musikalische Gedanke (2009)Shared musical creativity: teaching composer-performer collaboration (2020)Music in the Early Colonial World (2019)
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Cited by

  • 2012The Cambridge History of Musical Performance46 cited
  • 1985A Survivor of the Vienna Schoenberg Circle: an Interview With Paul A. Pisk22 cited
  • 1994Schoenberg's early Wagnerisms: Atonality and the redemption of Ahasuerus19 cited
  • 1994"Mein Weg geht jetzt vorüber": The Vocal Origins of Webern's Twelve-Tone Composition12 cited
  • 2012The performer and the composer10 cited
  • 2017Magical Serialism: Modernist Enchantment in Elisabeth Lutyens'sO Saisons, O Châteaux!7 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 1993Holst – Astrology and Modernism in ‘The Planets’6 cited
  • 2001Styles and languages around the turn of the century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2009An Unlikely Synergy: Lou Harrison and Arnold Schoenberg3 cited
  • 2012The teaching of performance2 cited

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